Dayton Contemporary Dance Co./White Bird 2007-2008
Sky's the limit for Rennie Harris and White Bird's next season.
November 26th, 2008
Holidazed (Artists Repertory Theatre) | Acito’s dramatic debut: ghosts, gays and street kids.0 comments
November 12th, 2008
Dr. Brian Greene | Linus Pauling Lecture Series2 comments
November 12th, 2008
Kidd Pivot, Lost Action (White Bird) | White Bird, kicked out of the PSU nest, goes wild.0 comments
October 29th, 2008
La Carpa del Maestro (Miracle Theatre) | Happy skeleton wants you to buy, buy, buy!0 comments
October 29th, 2008
Tero Saarinen Company (White Bird) | Finnishing what the Russians started.0 comments
October 22nd, 2008
The Receptionist (CoHo Productions) | Think The Office, only with more terror.1 comment
October 15th, 2008
Gossamer (Oregon Children’s Theatre) | A dreamy premiere from the author of The Giver.0 comments
October 8th, 2008
Dead Funny (Third Rail Rep) | More deadly than dead, and funny as hell.0 comments
October 1st, 2008
Guys And Dolls (Portland Center Stage) | If Congress can’t bail us out, PCS will try.0 comments
September 24th, 2008
Alonzo King Lines Ballet (White Bird) | Ballet meets martial arts in White Bird’s dance-season opener.0 comments
![]() DCDC IMAGE: Andy Snow |
[April 25th, 2007] Rennie Harris, master hip-hop choreographer, doesn't like the projections of hip-hop culture he sees and hears on TV, radio and the Internet. "Hip-hop has evolved; there's no one way to do it," he says. If anyone should know this it's Harris, who himself has evolved from Run-DMC backup dancer to one of the most fascinating dance figures at the intersection of street and theater dancing.
Harris is one of four dancemakers featured on Dayton Contemporary Dance Company's program, "Colorography: The Dances of Jacob Lawrence," playing one night only, tonight, at the Schnitz. Harris, who has the street cred from his younger dancing days and the pedigree of choreographing for the likes of Alvin Ailey Company, says that he was approached by DCDC Artistic Director Kevin Ward with an idea: create a new dance based on the paintings of seminal African-American artist Jacob Lawrence. But rather than run into an art gallery to soak in Lawrence's vivid colors for inspiration, Harris started where he always does: with the movement.
"It's like when you're writing and you just see the next word, it's the same thing with movement phrases," Harris says by phone from L.A. "It became clear that we were reaching for a specific spirit."
Harris, whose work has graced both the White Bird and PICA stages, will be a familiar dancemaker to Portland by the end of 2007 thanks to the always-enterprising Paul King and Walter Jaffe of White Bird Dance. In the just-announced lineup for their 10th anniversary season in 2007-08, Jaffe and King are not only bringing Harris' full company—Rennie Harris Puremovement—back to town for three shows Dec. 6-8 at Portland State University, they're also bringing a satisfyingly diverse range of international dance work to Portland in what may be their most ambitious season yet.
Among many highlights, King and Jaffe are especially proud of "4x4: The Ballet Project" (May 8-9, 2008), a new collaboration White Bird has fostered between San Francisco Ballet, Pacific Northwest Ballet, Eugene Ballet Company and our own Oregon Ballet Theatre: Each company will perform a work not seen here before. They're also offering some returning favorites in '07-'08: Paul Taylor Dance Company (Oct. 3) and Stephen Petronio Company (March 5, 2008) among them—and continuing to scout out the hottest international dancemakers around. After DCDC closes on April 25, King and Jaffe leave for two weeks to Holland, and are bringing the Netherlands' oldest dance company, Scapino Ballet Rotterdam, back to the U.S. (April 30, 2008) after a decadelong absence.
For hip-hop culture and dance, as for White Bird, Harris says it best: The sky's the limit.
RECENT COMMENTS ON “Dayton Contemporary Dance Co./White Bird 2007-2008”
white bird is awesome!!! rennis harris is the real deal so props to the bird for bringin him to town.










