SANDPEOPLE, Honest Racket (Self-released)
Portland mega-crew finally kills ‘em...with kindness.
November 19th, 2008
Critical Juncture | Point Juncture, WA is ready for the big time—but it’s not really a priority.0 comments
November 19th, 2008
What I love about Willie Nelson | Casey Neill is a Portland-based singer-songwriter who will perform at the Wonder Ballroom’s Willie Nelson Tribute this Friday night.0 comments
November 19th, 2008
Metal 101 | This high-school club’s got one rule: “Respect thy metal.”3 comments
November 19th, 2008
Little Sue Saturday, Nov. 22 | Susannah “Little Sue” Weaver talks cross-alt-country journeying.0 comments
November 12th, 2008
Blue Horns | Blue Horns’ attention span is short; its rock ’n’ roll songs are even shorter.0 comments
November 12th, 2008
Lickity | Lickity’s electro-party-punk was kind of an accident. No one’s complaining.0 comments
November 12th, 2008
One Mic | Longtime Portland MC Mic Censhaw finally makes a solo stand.0 comments
November 5th, 2008
Reviews: Oh Captain My Captain and Pink Widower0 comments
November 5th, 2008
An Anne For All Seasons | Grey Anne’s debut sparkles, whether or not she’s around to defend it.0 comments
October 29th, 2008
The Estranged. Friday, Oct. 31 | A post-punk life fits these ex-crust rockers just fine.0 comments
[October 3rd, 2007] [HIP-HOP] My expectations for local hip-hop crew Sandpeople’s long-awaited second album were impossibly high, especially after seeing what the peeps could do in pairs (they formed a handful of offshoot groups during the larger crew’s two-year recording hiatus). I expected the lessons learned and the addition of Scribble Jam rap-battle champ Illmaculate to help build an absolute monster. I expected an album that would get the U.S. out of Iraq and reverse global warming.
Well, kids are still dying and ice is still melting, but Sandpeople’s Honest Racket is really good.
The album’s 16 tracks are a mixed bag of battle raps, descriptive short stories and weed-fueled introspection. The great equalizer, though, is the crew’s production. It’s never been anything to sneer at, but beatsmiths Simple and Sapient have only gotten more adventurous after stints in disparate satellite groups. Where the two producers choose chaotic electronica on “Industrial Grade,” the simplicity of a bass-kick combo and a synth air organ on Simple’s beat for “Not Alright” is still in keeping with the group’s sound.
Lyrically, the addition of Illmaculate as the crew’s 10th member has made a huge difference. Not only do his own verses (“Let me hit this/ Don’t get it twisted dog/ A lot of things piss me off/ I’ll list them off...”) add a boisterous battle sensibility to the group’s aesthetic, but his presence is felt even when other MCs take the mic. Ethic, in particular, has doubled up the intensity of delivery behind his already strong verses (“I rock a mic with the same steady hand/ That pops Lorazepam till I’m walking like Lieutenant Dan”) to combat and complement Illmac’s lyrical terror. The Illmaculate reception has helped each MC learn how to carve out their own personas more clearly, which is essential for a group of this size.
Those individual developments aren’t surprising. What is surprising is that Honest Racket is largely a subtle and personal album, where each pronouncement of crew superiority is mirrored by an admission of personal weakness. In that respect, the group reps Portland the same way Portland reps itself: with hesitant pride and steady growth. So, while Honest Racket won’t save the world, it will certainly improve our little corner of it.
RECENT COMMENTS ON “SANDPEOPLE, Honest Racket (Self-released)”
I cant wait to get this!! Their first albums are so good, along with Debaser - Crown Control, and Sapient - Dry Puddles LP. And anything Sandpeople have released really... They are dope.









