Logo
ISSUE #33.49 • MUSIC •
[MUSIC]

INTERVISION Shades of Neptune (Intervision Music)


Intervision’s custom space jazz goes down smooth on its latest effort.

Recently in "Music"

July 1st, 2009
Primer: Sharon Jones & The Dap-Kings0 comments

July 1st, 2009
At Dusk Thursday, July 2 | Pulling a stylistic fast one before bidding farewell.0 comments

July 1st, 2009
Top Five | Waterfront Blues Fest: Dirtiest Weekend Ever?0 comments

July 1st, 2009
Beyond Blue | Woodbrain’s Joe McMurrian lets go of his ego to open up his sound.0 comments

June 24th, 2009
Clublist Spotlight • The Fix1 comment

June 24th, 2009
CD Reviews: M64 and Gossip0 comments

June 24th, 2009
Rodriguez, Wednesday, June 24 | Seattle unearths cold artifacts from a rediscovered genius.0 comments

June 24th, 2009
Sleep, Hesitation Wounds (Strange Famous)0 comments

June 24th, 2009
Top Five | Female Singers Cursive’s Tim Kasher Wants To Be.0 comments

June 24th, 2009
The New Beat | Portland’s dance scene kinda rocks.0 comments



IMAGE: Shawn St. Peter
BY AP KRYZA | akryza at wweek dot com

[October 17th, 2007] [SPACE JAZZ] Goddamn, can Paul Creighton sing. And on Intervision’s second full-length, Shades of Neptune, he runs up and down his vocal register with the greatest of ease, moving from soulful ballads to staccato lyrical bursts with such finesse it melts your eardrums like butter.

Creighton and company wax chill and sexy, offering funk-laced jazz with a decidedly futuristic bent, making dance-soul fusioneers Jamiroquai an easy comparison. Opening track “10,000 Years” mixes synth and sax while Creighton’s voice drifts melodically, exploding suddenly into a fast-paced, highly verbose machine-gun flow. The same thing happens on the second track, “Live Out Loud,” creating a robust formula that’s prevalent through much of the album. “Sing, dance/ It’s an intimate romance formed by cosmic circumstance/ Move, groove/ What have you to lose except the tread beneath your shoes,” Creighton croons, drawing out the notes before firing into another trademark burst of fast-paced flow.

In a sense—many of the songs sound remarkably similar. But just when you think you’ve got the Portland-based outfit pegged, out comes a heartfelt breakup ballad like “Violet.” All of a sudden, Intervision’s tugging at your heartstrings as Creighton’s voice digs deep into a familiar emotional reservoir.















icon Story continues below

advertisement

advertisement

These slower songs can also bring the album to a screeching halt, occasionally evoking Coldplay and teetering dangerously close to adult-contemporary. But just when you’re ready to dismiss Neptune, it slaps you hard across the face with some deeply infectious grooves. Take “Always on my Mind,” a track that follows the somber “Violet” and builds gradually from a slow pop song to an all-out funk free-for-all. Bassist Mike Glidden slaps and pops under some serious Stevie-esque keys, and an assortment of horns blare blissfully as the track just keeps climbing.

Despite some redundancy and the occasional bring-down, Shades of Neptune delivers a deeply felt groove, placing it somewhere between classic soul, modern jazz and a distant, futuristic funk. Each song is heartfelt and honest, amplified by Creighton and crew’s commitment to sonic density—making for an undeniably smooth, sexy experience.

SEE IT: Intervision plays Friday, Oct. 19, with the Damon Castillo Band at Jimmy’s Mak’s. 8 pm. $10. 21+ (after 9:30 pm).

 

Rate This Story
5 average/2 votes

 
read all 1 comments | add your comment
 

RECENT COMMENTS ON “INTERVISION Shades of Neptune (Intervision Music)”

1

One of the best records of 2007! ... not to mention that this band puts on a live show that is locally second to none. Check it out. - JD

Jenn Dashney, Oct 19th, 2007 7:14pm
 
 
 






Ad

Ad

Ad

Sponsored Links: WW Personals
Musician's Market
Snowboard Jackets
Legal Tips


Recently in Willamette Week
December 31st 1969Washington State | The Canada of Oregon has it all—a Stonehenge replica, a longboarder's concrete wet dream and dark, damp underground lava caves. Vive les rocks.
December 31st 1969Oregon's Outer Edges | Crater Lake. Hell's Canyon. Wallowa and Steens mountain ranges. Hell, yeah.
December 31st 1969Central Oregon/High Desert | No rain, plenty of snow, obsidian flows and great local beer. The folks from the real eastside know how to unbend outside.
December 31st 1969Great Cascades/Columbia Gorge | With plenty of room to roam—and hot springs for your weary feet—it's the place to ramble and relax for the weekend.
December 31st 1969Willamette Valley | Monks, tracks, tubing and wine make the fertile strip a virile place to play.
December 31st 1969Stumptown | Tons of public parks, an extinct volcano and nude beach volleyball to keep you jolly. Get out and collect those merit badges, without leaving the city.
December 31st 1969The Coast | The beaches are public. You own them. Go play—hike in the old-growth forests.
December 31st 1969Cycle Tour 101: Your on-bike guide to Highway 101 | To ride the greatest bike route in Oregon, you need to get out of Portland.
December 31st 1969Doggin' It | What happens when a Portland running club jogs with pooches from the pound?
December 31st 1969Over the Edge | Sam Drevo will paddle yr ass.