November 12th, 2008
Dr. Brian Greene | Linus Pauling Lecture Series2 comments
November 12th, 2008
Kidd Pivot, Lost Action (White Bird) | White Bird, kicked out of the PSU nest, goes wild.0 comments
October 29th, 2008
La Carpa del Maestro (Miracle Theatre) | Happy skeleton wants you to buy, buy, buy!0 comments
October 29th, 2008
Tero Saarinen Company (White Bird) | Finnishing what the Russians started.0 comments
October 22nd, 2008
The Receptionist (CoHo Productions) | Think The Office, only with more terror.1 comment
October 15th, 2008
Gossamer (Oregon Children’s Theatre) | A dreamy premiere from the author of The Giver.0 comments
October 8th, 2008
Dead Funny (Third Rail Rep) | More deadly than dead, and funny as hell.0 comments
October 1st, 2008
Guys And Dolls (Portland Center Stage) | If Congress can’t bail us out, PCS will try.0 comments
September 24th, 2008
Alonzo King Lines Ballet (White Bird) | Ballet meets martial arts in White Bird’s dance-season opener.0 comments
September 17th, 2008
Guns, Flags and Coca-Cola | It’s gringos versus chilangos in Dos Pueblos.0 comments
![]() LET’S GET PHYSICAL: Muscle-Max at Someday Lounge. IMAGE: opera theater oregon |
[October 31st, 2007]
Opera Theater Oregon does intriguing work. But is it opera?
This question gnaws at the core of Portland’s scrappy young company. One voice of the company announces, “We’re hip! We’re edgy! We Keep Portland Weird!” The more somber voice responds: “Dude, we also perform beautiful music.” The results, on display in OTO’s wild and uneven new production, Muscle-Max , don’t always sound so hot.
There are some basic attributes most sensible people want to see in any musical stage work aspiring to the throne of opera . Beautiful singing, impassioned characterizations, a certain sweep in the sound and surge of emotions might be among them. Little of that is found in Muscle-Max .
Instead, Muscle-Max offers a parade of outrageous ’80s-era leggings and hair, campy dialogue and song lyrics celebrating binges on “Stoli, Cheetos…and lots of reefer,” and strains of Gaetano Donizetti’s score from his not bad 1832 opera The Elixir of Love , as filtered through an amplified chamber trio with wheezy upright piano.
This wholly new creation (book, lyrics and direction by OTO’s Katie Taylor; musical arrangements by Eric Melton) takes interpretive liberties to an extreme. But before purists get up in arms about rewriting opera history, let me be clear: Taylor, who has talent, is not interested in defacing Donizetti’s grave so much as dancing on it. Her cardboard characters from some 1980s Gresham mall are colorfully flat. Dave Nemorino (Zakk Hoyt) is the wiener-slinging hero pining after bracelet-bedecked Adina (Natasha Risotto), who harbors a wet spot for hunky Steve Belcore (Michael Miersma). Marty Dulcamara (Richard Poppino) pimps muscle-bulging supplements to Dave and Steve; Gianetta (Deb Vaughn) is a genial hanger-on, rawkin’ the sideways ponytail.
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The considerable demands of Donizetti’s music are beyond most of the young cast, but Risotto’s blooming voice shows promise. Of the rest, baritone Michael Miersma stands out as the hunkiest stud on any Portland stage this week, no question; he has a special talent for modeling cute jogging shorts and a certain fitted vintage KISS tee. Move over, Nathan Gunn!
Lovers of bel canto opera may leave disappointed. Fans of “fringe” performance may leave scratching their heads. But Belcore does give Nemorino a wedgie, and dude, that’s pretty rad.
RECENT COMMENTS ON “Opera Theater Oregon/Muscle-Max”
Did you watch the same performance I did? Whether I agree with your assessment or not, the statement that "Adina (Natasha Risotto), who harbors a wet spot for hunky Steve Belcore" is not on...
I am always amazed when I attend a performance where the cast can hardly leave the stage for the ovation they are receiving and then some reviewer pans the show. It seems irresponsible to omit menti...
I also wanted to mention that Stephen has been very supportive of OTO, and actually made the effort to come see the show right after hopping off a plane from NYC. I am sorry he didn't like Muscle-Max,...
Nan, I wanted to respond to your comment: "it seems irresponsible to omit mentioning that [Muscle-Max] was so well received."
I would agree that, to a certain extent, repo...









