Too Cool For Words
NYC’s Wordless Music Series comes to Portland.
May 7th, 2008
4x4: The Ballet Project (White Bird) | Four on the floor: All ballet, all night long.0 comments
May 7th, 2008
Spring Awakenings | It’s May! The sun is out! Bring on the homoerotic turmoil!0 comments
April 30th, 2008
Nobody Here But Us Chickens (Third Rail)0 comments
April 23rd, 2008
The Long Christmas Ride Home | Theatre Vertigo shakes up the floating world.0 comments
April 16th, 2008
Slaughter on Tenth Avenue (Oregon Ballet Theatre) | Oregon Ballet Theatre shoots to thrill with Balanchine's Slaughter.1 comment
April 9th, 2008
Sometimes a Great Notion (PCS) | REVIEW: We are lumberjacks. We’re not OK.3 comments
April 2nd, 2008
Air-Condition (White Bird Dance) | PREVIEW: Brenda Angiel’s floating dance party.0 comments
March 26th, 2008
The Tudor Choir | Mozart: the original music pirate.0 comments
March 19th, 2008
Albert Herring (Portland Opera) | Spitzeresque tale: Chastity is the best policy.0 comments
March 12th, 2008
Divas and Decapitation | Big-headed queens or beheaded teen? Take your pick.0 comments
![]() STRINGS AND THINGS: Stars of the Lid at Holocene. |
[April 16th, 2008]
Despite corporate music’s attempts to squish creativity into tidy, discrete pigeonholes, the more out-there manifestations of alt rock, free jazz, post-classical avant garde and electronica share overlapping audiences who care more about adventure than category.
That’s the philosophy behind Wordless Music, a not-for-profit concert series in New York City that since 2006 has transgressed genre boundaries by bringing rock, electronic and so-called classical musicians to intimate chamber music spaces. With acts from John Adams to Wilco’s Nels Cline and Glenn Kotche to the American premiere of Radioheadman Jonny Greenwood’s “Popcorn Superhet Receiver,” the series has forged a strong, young audience, selling out 400- to 800-seat venues. Now the series is branching out to other cities, starting with Minneapolis and Portland.
Of course, New York isn’t the only source of this exploration-trumps-genre attitude. San Francisco’s Classical Revolution, for example, takes classical and postclassical music into bars and clubs. One of its members, violist Mattie Kaiser, moved to Portland last year and started Classical Revolution PDX, which now counts more than 30 local members and will perform Shostakovich’s gripping String Quartet No. 8 and Arvo Pärt’s mesmerizing “Spiegel im Spiegel” at the first Portland Wordless Music show at Holocene on Thursday. The concert also stars the inventive Bay Area composer-guitarist-electronic musician-video artist Christopher Willits, and Austin ensemble Stars of the Lid, whose somber, murmuring ambient soundscapes will be accompanied by a string trio and layered 16 mm films by Luke Savisky.
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Wordless Music continues the next evening at The Old Church with two ambitious local faves: Eno-influenced ambient wizard Eluvium and always-intrepid new music ensemble Third Angle, who’ll play string quartets by Chinese-American composer Chen Yi (her 1986 “Sprout,” and “Burning,” a response to the Sept. 11 attacks) and by the dean of Portland composers, Tomás Svoboda (a new quartet that reacts to the unprovoked American war on Iraq).










This should be a very interesting series. My friend was able to interview some of the artists and has a write up at northwestreverb.blogspot.com/2008/0...