Crazy Enough (Portland Center Stage)
Can Storm Large Solve PCS’ Budget Woes?
November 25th, 2009
Unholy Nights | Three unconventional holiday shows, in order of depravity.0 comments
November 11th, 2009
Everyone Who Looks Like You (Hand2mouth Theatre) | A rowdy ensemble grows up by going back home.0 comments
November 11th, 2009
Chronos/Kairos (BodyVox) | The local company brushes off dust and celebrates 12 years in the biz.0 comments
October 28th, 2009
Orphée (Portland Opera) | Into the underworld with Philip Glass.0 comments
October 21st, 2009
Hofesh Shechter Company (White Bird) | An Israeli-born dancemaker spars with Portland. 1 comment
October 14th, 2009
Fiction (Portland Playhouse) | Writer’s block got you down? Try adultery!0 comments
October 7th, 2009
Ben Franklin: Unplugged (Portland Center Stage) | Josh Kornbluth has (founding) father issues.0 comments
September 30th, 2009
La Bohème (Portland Opera) | Lush tales from urban Bohemia.0 comments
September 30th, 2009
Ragtime (Portland Center Stage) | A complete work of E.L. Doctorow, abridged.0 comments
September 23rd, 2009
Autumn at the Oregon Shakespeare Festival | Tilting at windbags.0 comments
![]() IMAGE: Owen Carey |
[April 8th, 2009]
Times are tough for everyone, but America’s cultural institutions are taking a beating. Last autumn’s stock market crash put severe stress on the endowments of the major cultural trusts and the assets of private donors, and Oregon legislators even robbed the Oregon Cultural Trust to the tune of $1.8 million. Even successful organizations like Portland Center Stage—which in the past few months cut pay and laid off several employees, including beloved literary manager Mead Hunter—are feeling the squeeze. So it’s fortunate that PCS’s current production, an autobiographical monologue with songs by Portland’s rock-’n’-roll valkyrie, Storm Large, is a guaranteed cash cow.
Crazy Enough has, like Ms. Large’s last theatrical foray (2007’s Cabaret), received an off-putting quantity of hype, and it is tempting to my inner evil critic to tear down that which has been so built up, but I can’t. Crazy Enough, in which Large describes with vulgar humor her traumatic childhood experiences with her schizophrenic mother, slutty adolescence, heroin addiction, rejection from Lilith Fair, musical success and family reconciliation, isn’t merely satisfactory—it’s good.
Large performs on a faux-brick catacomb set—an unnecessary addition, but nice to look at—accompanied by her longtime collaborator James Beaton, plus a drummer and guitar player. Crazy Enough’s dozen songs are dramatically better than those on Large’s 2007 EP, Ladylike, which milked her reality-TV exploits with banal anger-pop numbers. Maybe it’s because the material’s more personal, but these tunes, from quiet lullabies to rip-roaring anthems, are both catchier and more true.
The show’s only notable weakness is that it never answers the central question of all solo performances: “Why are you telling me this?” At the Armory, the answer is self-evident. Storm is performing because PCS Artistic Director Chris Coleman asked her to write a show about her life, and we are listening because she’s Storm Large, and we know she’s an interesting personality and dynamite singer. (Whatever you think of Large’s outsize presence in Portland’s media and politics, you can’t deny that she is one hell of a performer.) If the show goes on tour, though, that question will demand a better-articulated answer.
RECENT COMMENTS ON “Crazy Enough (Portland Center Stage)”
By interviewing Storm Large, you were contributing in the creation of the off-putting quantity of hype that the inner you hated.
"Why are you telling me this?"
Well, the same can be asked of your review. Theatre is entertainment: Reviews are entertainment, too.
Keep rockin', St...
It seems that Portland is full of 'artists' who position themselves out of neccesity as big fish in a small pond. She is as uninteresting and self absorbed as all the rest. Next.












