Store For A Month
Art bargains and food for thought—now available at a “store” near you.
October 28th, 2009
Orphée (Portland Opera) | Into the underworld with Philip Glass.0 comments
October 21st, 2009
Hofesh Shechter Company (White Bird) | An Israeli-born dancemaker spars with Portland. 1 comment
October 14th, 2009
Fiction (Portland Playhouse) | Writer’s block got you down? Try adultery!0 comments
October 7th, 2009
Ben Franklin: Unplugged (Portland Center Stage) | Josh Kornbluth has (founding) father issues.0 comments
September 30th, 2009
La Bohème (Portland Opera) | Lush tales from urban Bohemia.0 comments
September 30th, 2009
Ragtime (Portland Center Stage) | A complete work of E.L. Doctorow, abridged.0 comments
September 23rd, 2009
Autumn at the Oregon Shakespeare Festival | Tilting at windbags.0 comments
September 16th, 2009
Ursula (Our Shoes Are Red/The Performance Lab) | Mother Superior jumps the gun.0 comments
August 26th, 2009
Jazz And Poetry And Other Reasons | Solo boho at the CoHo.0 comments
August 12th, 2009
The Bullet Round (The David Mamet School for Boys) | SPOILER: Somebody gets shot.0 comments
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[June 10th, 2009]
What’s more prestigious: buying a fine-art print at a Pearl District gallery or picking up a poster from Urban Outfitters to match your living-room sofa? What if they’re both the same price? What if the poster costs more? Artist and entrepreneur John Brodie is fascinated by how people classify art objects, according to whether they were bought in a chi-chi capital-G “Gallery” or a more proletarian “store.” This month, in the footsteps of Pop artist Claes Oldenburg’s 1961 “Store” project, Brodie invited 64 local artists to exhibit—and more importantly, sell—their work in a temporary retail outlet at Southeast 12th Avenue and Division Street.
“I had the idea bouncing around in my head for at least three years,” Brodie says. “I love the idea of mixing high and low culture, the idea of the ‘art object’ versus the ‘product.’ So about a month ago I decided it was time to go for it and get it out of my system.”
Brodie, who also owns Portland crêperie Le Happy, told the artists they could sell existing works at Store or, better yet, create new work in media they wouldn’t essay in conventional galleries. For her piece, Melody Owen, who shows at Elizabeth Leach, revisits one of her signature motifs, the igloo, but instead of executing it à lapristine minimalism, she created a comfy piece of furniture designed for felines. Joe Macca, who shows at PDX Contemporary Art, eschewed the concentric abstractions he’s best known for, in favor of whimsical sculpted slugs and mushrooms. Prices range from ridiculously cheap ($20) to eminently affordable (in terms of art, $500). Brodie—who is taking a percentage of sales to cover store expenses—will man the store five days a week. He’s also making new work at the space and inviting other artists to do the same. In the vein of Oldenburg’s store, Brodie says there will be impromptu performances and happenings, as well as what is sure to be a drawing point: free rhubarb pies baked by “pie artist” Anne Greenwood.
Despite the pies and other homey, DIY touches (the sign is made of cardboard letters), Brodie is taking the idea of the crassly commercial “store” seriously. Credit cards will be accepted.
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