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Performance Listings

For the week of Wednesday December 19th thru Tuesday December 25th


STAGE BY Ben Waterhouse, CLASSICAL ETC. BY Brett Campbell, DANCE BY Kelly Clarke (kclarke@wweek.com, send events to dance@wweek.com).

To be considered for listings, send information at least two weeks in advance to:

    Performance, c/o Willamette Week
    2220 NW Quimby, Portland, OR 97210.
    Phone: 503 243-2122. Fax: 503 243-1115.


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Jump to: STAGE, CLASSICAL, DANCE

STAGE

WW PickA Christmas Carol

After a five-year run of one-man holiday shows, Portland Center Stage is returning to Dickens with a brand-new, flashy adaptation by Mead Hunter. This special-effects extravaganza has a great cast, an astounding set and an excellent, original score of familiar Victorian carols. I’ve just one quibble: The Ghosts of Christmas Past, clad all in white with glowing red eyes, look more like a band of horrible albino Jawas than time-traveling spirits. Sure, they’ll walk Scrooge through the mistakes of his youth, but only if they can stop on the way back to devour a baby or two. PCS has put together the most impressive of this year’s holiday shows, and the most soul-shakingly terrifying. BEN WATERHOUSE. Portland Center Stage, 128 NW 11th Ave., 445-3700. 7:30 pm Tuesdays-Saturdays, 2 and 7:30 pm Sundays, noon Thursday, 2 pm Dec. 22. Closes Dec. 23. $16.50-$61.50. All ages. Map

A Tuna Christmas

[OPENS FRIDAY] New for-profit company Oregon Repertory Theatre tackles the holiday-themed sequel to the perennially popular two-man farce, Greater Tuna. BEN WATERHOUSE. Winningstad Theatre, Portland Center for Performing Arts, 1111 SW Broadway., 248-4335. 8 pm Fridays-Saturdays, 7 pm Tuesdays-Thursdays, 2 and 7 pm Sundays and Dec. 22. $25-$42.50. All ages. Map

WW PickAs Is

I was surprised to hear that Troy Lakey’s Key Productions had chosen William M. Hoffman’s 1985 drama about the burgeoning AIDS epidemic and its effect on the lives of an infected writer and his loved ones for their second production. It's a tough show to pull off, and just the third directing project for longtime Portland actor Michael Mendelson. It’s a pretty good production, well-cast and competently acted throughout. Mendelson’s direction favors too much melodramatic shouting, but he’s created some very nice blocking and held a few of the script’s more maudlin moments in check. Although David Berkson is somewhat emotionally flat as Rich, a volatile and dying gay writer, Michael Teufel gives a fine performance (when he’s not yelling) as Rich’s former lover and caretaker, Saul. The supporting actors similarly range from decent to good. It’s not a great staging, but certainly above average for Portland, and it’s further proof that Lakey means business. BEN WATERHOUSE. Interstate Firehouse Cultural Center, 5340 N Interstate Ave., 781-3464. 8 pm Thursdays-Saturdays, 3 pm Sundays. Closes Dec. 22. $20. All ages. Map

WW PickBiglittlethings

Imago's endearing (and good) holiday show is back, fresh from a tour to Macau, China. Polar bears, worms, fish, anteaters and all. BEN WATERHOUSE. Imago Theatre, 17 SE 8th Ave., 231-3959. 7:30 pm fridays, 2 and 7 pm Saturdays, noon and 3 pm Sundays, 3 pm Jan. 2-4. $16-$31. All ages. Map

Cinderella

I worry about the young actors-in-training on display in John Monteverde’s production of this Rodgers and Hammerstein made-for-TV musical. Two reasons: They’ve been handed lackluster material with which they’re expected to develop their skills, and then left to hang by a creative team that should know better. There is one standout: 21-year-old Jonathan Swartout as a puppy-dog prince. He has a pleasant voice, too, until the microphone permanently attached to his forehead roars it all out of distortion. Are all singing actors today unable to vocally project in even a space as small as the West End Theater without the aid of blaring head-mics? And why was the fairy godmother (Marilyn Stacey) wigged and dressed like Drew Carey in drag? Will Kari Virding as Cinderella ever stop smiling? STEPHEN MARC BEAUDOIN. West End Theater, 1220 SW Taylor St., 593-2466. 593-2466. 7 pm Fridays-Saturdays, 2 pm Sundays, 2 and 7 pm Dec. 26-27. Closes Dec. 30. $16-$20. All ages. Map

Disney's Beauty and the Beast

Northwest Children's Theater remounts last year's popular production. NW Neighborhood Cultural Center, 1819 NW Everett St., 222-4480. 222-4480. 7 pm Fridays, 2 and 7 pm Saturdays, 2 pm Sundays and Dec. 19-20, 24 and 26-27. Closes Dec. 30. $18-$22. All ages. Map

Gone in 60 Sketches

The latest comedy show from the 3rd Floor crams 60 sketches into 90 minutes. BEN WATERHOUSE. El Centro Milagro, 525 SE Stark St., 236-7253. 8 pm Fridays-Saturdays. Closes Dec. 29. $10. All ages. Map

Jacob Marley's Christmas Carol

Public Playhouse presents Tom Mula's behind-the-scenes take on Scrooge's Christmas Eve travels. The CoHo Theater, 2257 NW Raleigh St., 922-0532. 7:30 pm Thursdays-Saturdays, 2 pm Sundays. Closes Dec. 22. $10-$16. All ages. Map

WW PickMars on Life

[EXTENDED RUN] Susannah Mars is one part old-school diva, one part Martha Stewart and one part indie comedian. It’s a bizarre combination for a “holiday cabaret,” but Mars’ multiple personas bring something for everyone. Sometimes she’s graceful and sublime, perfectly polished in four-inch heels and a well-lacquered hairdo; the next minute she’s prancing around in a potato latke costume, or singing, “For Betty Crocker I’d go gay.” These unabashedly weird moments are the real treat of the show, but Mars brings a refreshing candidness to the more traditional songs as well. A guest artist accompanies Mars during each performance. STACY RIGER. Artists Repertory Theatre, 1515 SW Morrison St., 241-1278. 241-9807. 7:30 pm Tuesdays-Saturdays, 2 pm Sundays. Closes Dec. 30. $20-$47. All ages. Map

Roger and the Cave Monster

This disappointing first effort from Portland Ensemble Theatre Company was probably intended to be an edgy romantic comedy with a profound theme or two. That's what the boy-meets-subterannean-wild-child plot indicates, anyway. But playwright Craig Jessen can't choose a voice and stick with it, and the whole thing comes across as a triple-length episode of Two and a Half Men. Stay away. BEN WATERHOUSE. Theater! Theatre!, 3430 SE Belmont St., 544-6650. 8 pm Thursdays-Saturdays, 2 pm Sundays. Closes Dec. 23. $12-$15. All ages. Map

Rose City Vaudeville

A wide-ranging variety show in the spirit of the Gay Nineties. The first Gay Nineties. BEN WATERHOUSE. Hippodrome, 315 SE 3rd Ave., 7 pm Thursday, Jan. 31. $15-$20. All ages. Map

WW PickA Scandal in Bohemia

Northwest Classical Theatre Company’s in-your-lap performance of this Holmes mystery properly uses the space—or lack thereof—in the intimate Shoe Box Theater to serve up subtlety and nuance. Timing is on Leif Norby’s side as he takes a turn as a spot-on Sherlock, playing off Chris Porter’s jovial, elegantly baffled Dr. Watson. The action never truly leaves the parlor as the King of Bohemia (Jayson Shanafelt, with a fun—if caricatured—take on the German patois) solicits Holmes’s help to thwart the mean machinations of an ex-lover, and as Holmes finds himself fascinated by a member of the fairer sex (a lively Allison Anderson). Grant Turner’s adaptation of Doyle’s tale suffers from excessive transition scenes and overly liberal use of the blackout, but otherwise stands as a self-contained Holmes primer and a nostalgic visit to Baker Street. SAUNDRA SORENSON. Shoe Box Theater, 2110 SE 10th Ave., 971-244-3740. 7 pm Thursdays-Saturdays, 2 pm Sundays. Closes Jan. 6. $12-$18. All ages. Map

Sometimes Toilet Water

Billed as “a kids’ show written mostly by kids and performed mostly by grownups,” Sometimes Toilet Water is Curious Productions’ latest undertaking, an introduction to improv-style comedy for the very young. BEN WATERHOUSE. The CoHo Theater, 2257 NW Raleigh St., 380-3516. 2 pm Saturdays. Closes Dec. 22. $5-$10. All ages. Map

The Best Christmas Pageant Ever

Lakewood Theatre tackles the much-performed stage adaptation of Barbara Robinson's heartwarming story of a small-town Christmas pageant gone horribly, adorably wrong. Joe Theissen directs. BEN WATERHOUSE. Lakewood Center for the Arts, 368 S State St., Lake Oswego., 635-3901. 7:30 pm Wednesdays-Fridays, 2 and 7 pm Saturdays-Sundays. Closes Dec. 22. $10-$12. All ages. Map

The Holly Jolly Holiday Hullabaloo.... Again

Integrity Productions' silly song-and-dance holiday series returns with a new take on Little Red Riding Hood. Take the kids. BEN WATERHOUSE. Theater! Theatre!, 3430 SE Belmont St., 286-3456. 7 pm Wednesdays-Fridays, 2 and 4 pm Saturdays-Sundays. Closes Dec. 29. $5-$10. All ages. Map

The HollyTones... On Ice!

The Portland trio is back for its eighth season of cheery cabaret. BEN WATERHOUSE. Wilf's Restaurant, 800 NW 6th Ave., 223-0070. 223-0070. 7:30 pm Tuesdays and Wednesday, Dec. 19. Closes Dec. 19. $15. All ages. Map


CLASSICAL

WW PickA December Feast

See performance box. STEPHEN MARC BEAUDOIN. St. Philip Neri Church, 2408 SE 16th Ave., 764-7525. 7:30 pm Wednesday, Dec. 19. $15. All ages. Map

Christmas Oratorio and more

Ralph Nelson's Bach Cantata Choir takes up the final three cantatas of J.S. Bach's Christmas Oratorio and Buxtehude's buoyant In Dulci Jubilo. STEPHEN MARC BEAUDOIN. Rose City Park Presbyterian Church, 1907 NE 45th Ave., 282-0965. 7:30 pm Friday, Dec. 21. $15-$20. All ages. Map

Eddie Parente and Friends

Irish fiddler Eddie Parente heads up the monthly Third Friday Céilí, sharing the stage with Irish accordion guru Mike Beglan and guitarist Danny O'Hanlon. STEPHEN MARC BEAUDOIN. Portland Policeman's Athletic Association, 618 SE Alder St., 691-2078. 8 pm Friday, Dec. 21. Call 503-206-9311 for info. $8-$10. All ages. Map

WW PickMessiah and Music for Christmas

Resistance is futile: Messiah is back. And for the first time in a decade, PBO artistic director Monica Huggett leads the work (the full piece is heard Saturday and Sunday and the shows are already sold out), with a clutch of new soloists. Chief among them is soprano Yulia van Doren, an attractively voiced young soprano making some noise on the early music circuit, and a student in Dawn Upshaw's new master's program in voice at Bard College. Also up: Seattle tenor Ross Hauck, returning mezzo Elspeth Franks and genre-bending baritone Peter Becker. Cappella Romana (this writer included) is the collaborating chorus. And on the Thursday-Friday programs, the first chunk of Messiah is offered, alongside the Locatelli Christmas Concerto and two infrequently heard Russian choral works: the Bortnyansky Choral Concerto and Vasily Titov Magnificat. STEPHEN MARC BEAUDOIN. First Baptist Church, 909 SW 11th Ave., 7:30 pm Thursday-Saturday, Dec. 20-22. Call 800-494-8497 for tickets. $18-$48. All ages. Map


DANCE

Do Jump! for the Holidays

On the eve of Nutcracker season, Do Jump! sends up the original seasonal ballet in Divided We Fall, a comic combination of acrobatics and acting, music and dance—look for Aaron Wheeler-Kay’s new tap piece at this year’s installment. In the other half of this annual holiday show, the "actorbats" offer At Such a Dizzy Height, in which director Robin Lane puts Marc Chagall paintings in motion with aerial dance and circus arts, layered with video. Keep an eye out for flying set pieces (participating jugglers the Vanillatown Vaudevillians are highly suspect in this regard) and your ears open to the live klezmer accompaniment from members of Klezmocracy. HEATHER WISNER. Newmark Theatre, Portland Center for the Performing Arts, 1111 SW Broadway., 248-4335. 3 pm Sundays Dec. 23 and 30; 7:30 pm Thursdays-Saturdays, Sundays Dec. 20-22, 26-29. $25-$29. 21+. Map

WW PickGeorge Balanchine’s The Nutcracker

Oregon Ballet Theatre stages one of the oldest American versions of this holiday chestnut: George Balanchine’s dazzling creation for New York City Ballet, featuring the Dewdrop Fairy and (spoiler alert!) the magically sprouting Christmas tree. Dancers don’t always love The Nutcracker—one friend, cast for many years in the taxing Chinese tea version, calls it "The Buttcracker"—but audiences always do, and countless ballet careers have been launched from so many starry-eyed tots picturing themselves in tulle and tiara, whirling through the enchanted Land of Sweets. HEATHER WISNER. Keller Auditorium, 222 SW Clay St., 248-4335. 222-5538. 7:30 pm Wednesday-Friday, 2 and 7:30 pm Saturday, 1 pm Sunday (1 and 5 pm Dec. 23), noon Monday. $10.50-$120. All ages. Map

Mike Barber and Cydney Wilkes

To get what these Ten Tiny Dances collaborators are doing, it helps to know where their inspiration is coming from. They’ll be dancing works in progress; solos adapted from Deborah Hay’s new piece The Runner. Hay is a veteran of Merce Cunningham’s company and the ’60s experimental dance lab Judson Church, and her mission has long been changing the way dance is done—and seen. Some 22 people learned The Runner at her Solo Commissioning Project in Scotland this year; they had to commit to practicing the work every day for three months before performing it live in their respective towns, and they were held to such aesthetic criteria as: “Your ability to laugh at your serious intentions at any given moment is a tool you like to remember to use.” This show is the first step in the process, which moves to Texas in July (where Hay reworks their adaptations into a new duet) and returns to Portland next October for a performance of the originals and the remake. HEATHER WISNER. Lent School Gymnasium, 5105 SE 97th Ave., 997-7514. 8 pm Thursday, Dec. 20. $10 suggested donation. All ages. Map

Pacific Artists Ballet Theatre

In a ballet death match between The Nutcracker and La Boutique Fantasque, who would win? Nutcracker has toy soldiers and mice; La Boutique has Cossack soldiers and poodles. Nutcracker: magic tree. La Boutique: magic toy store. Nutcracker: sugarplum and dewdrop fairies. La Boutique: Just one fairy, dully named Blue. Nutcracker: choreography by Balanchine. La Boutique: choreography by Balanchine contemporary Léonide Massine. Hmm—let’s just call it a draw, shall we? There’s enough room in this town for two holiday ballets, and La Boutique, a former Ballet Russe repertory piece, offers a key element of kid-friendly drama: toys that come to life under the noses of oblivious adults. Former Los Angeles Ballet Artistic Director John Clifford helms the show, danced by a pre-professional troupe to the music of Rossini. HEATHER WISNER. Portland State University, Hoffman Hall, 1825 SW Broadway., 725-3000. 7:30 pm Friday, 2 and 7:30 pm Saturday, 1 and 4 pm Sunday, Dec. 21-23. $10-$18. All ages. Map

WW PickThe Party Project

If you’re not already dancing in The Party Project—and at last count, at least 30 people were—you’re still invited to the party. Tahni Holt, mastermind of the late Monster Squad dance troupe, is South Waterfront’s artist in residence this month, and in that seasonal spirit, she has crafted movement for dancers and non-dancers alike based on movies with party themes. The dancers will perform inside glass-walled buildings; viewers (hot drinks in hand) will stroll around the periphery, catching glimpses of the action from sidewalks and balconies. HEATHER WISNER. Bella Espresso Cafe, 3580 SW River Parkway., 467-7532. Meet at the Bella Espresso Cafe at 4 pm Saturday, Dec. 22. Free. All ages. Map

Events

Culture
[Culture]
Hot Pursuit
WW CULTURE STAFF | WW’s finest patrolled the streets this Halloween. And then it got weird.
2 comments
[Dish]
Ethical Butchers Do It Better
BY KATE WILLIAMS | Sustainable meat hits its hot spot.
0 comments
Headout
35th Anniversary Mixtape
BY CASEY JARMAN
3 comments
Ghost Stories
BY MICHAEL MANNHEIMER | World’s Greatest Ghosts aren’t the type of nerds you think they are.
0 comments
Top 5: Casey Jarman Listens To The Billboard Hot 100
BY CASEY JARMAN
0 comments
Boat Thursday, Nov. 5
BY CASEY JARMAN | The King of Tacoma and his countrymen get real serious.
0 comments
David Bazan Friday, Nov. 6
BY AARON MESH | The former Pedro the Lion frontman’s fall from grace begets one hell of a solo debut.
0 comments
CD Reviews: Loch Lomond, Brothers Young
WW MUSIC STAFF
0 comments
36th NW Film & Video Festival
WW STAFF | Made in Oregon. Played in Oregon.
0 comments
The Men Who Stare At Goats
BY AARON MESH | The Army has psychic powers, but the movie has no perspective.
1 comment
The Opposite Field
BY HENRY STERN | A father and son connect by way of the summer game.
0 comments
[Screen]
Girl, Uncorrupted
BY AARON MESH | An Education is lovely—but its bittersweet lessons raise questions.
0 comments


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