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Performance Listings

For the week of Wednesday December 31st thru Tuesday January 6th


STAGE BY Ben Waterhouse, CLASSICAL ETC. BY Brett Campbell, DANCE BY Kelly Clarke (kclarke@wweek.com, send events to dance@wweek.com).

To be considered for listings, send information at least two weeks in advance to:

    Performance, c/o Willamette Week
    2220 NW Quimby, Portland, OR 97210.
    Phone: 503 243-2122. Fax: 503 243-1115.


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Jump to: STAGE, CLASSICAL, DANCE

STAGE


CLASSICAL

WW PickChamber Music Northwest: 1826

The summer series featuring some of America’s finest classical musicians continues with theme concerts. Thursday and Friday’s show consists entirely of works written in 1826, including Mendelssohn’s precociously brilliant String Quintet No. 1 and some of his poetic songs, Schubert’s glittering Rondeau Brillant for violin and piano and, best of all, one of Beethoven’s finest and farthest-ranging string quartets, No. 16, Op. 135. Pretty good year, 1826, at least for early Romantic Germanic chamber music. Kaul Auditorium at Reed College, 3203 SE Woodstock Blvd., 294-6400. 8 pm Thursday, July 9. 7 pm Friday, July 10, at First Congregational Church, 1126 SW Park Ave. $10-$43. Map

Portland State University Opera

PSU’s production of Verdi’s last opera, Falstaff, is much more than a student production, directed by veteran stage director Tito Capobianco, who’s run three American opera companies and staged productions at New York City’s Metropolitan and City operas. The title character demands the strongest acting and singing skills, and this Falstaff features one of America’s top baritones, Richard Zeller, familiar here from his work with Portland Opera, the Oregon Symphony and more, and renowned for his performances at the Met, Scottish Opera and others worldwide. PSU’s opera productions consistently aspire to and achieve much higher standards than your typical college program—how will it handle this epic farce? St. Mary's Academy, 1615 SW 5th Ave., 725-3307. 7:30 pm Wednesday and Friday, April 15 and 17; 3 pm Sunday, April 19. $13-$26. Map


DANCE

 Agnieszka Laska Dancers

Agnieszka Laska Dancers welcomes its Ashland-based contemporary, Dancing People Company, to town for a modern-dance doubleheader. ALD offers the restaged repertory work Diameter IX, with live musical accompaniment by flutist John Savage and percussionist Joel Bluestone, as well as new work The Terror That is Named the Flight of Time, accompanied live by the Dickson String Quartet (playing Shostakovich) and pianist Christopher Schindler (playing Thomas Svoboda). DPC, which made its Portland debut this spring, returns with Robin Stiehm’s More Immediate Than Reality and Peggy Paver’s Letters to Tillie, a series of poignant vignettes based on one GI’s letters home during World War II. Imago Theatre, 17 SE 8th Ave., 715-1866. 7:30 pm Thursday-Saturday, June 19-21. $15-18. Map

Events

Culture
[Culture]
Hot Pursuit
WW CULTURE STAFF | WW’s finest patrolled the streets this Halloween. And then it got weird.
2 comments
[Dish]
Ethical Butchers Do It Better
BY KATE WILLIAMS | Sustainable meat hits its hot spot.
0 comments
Headout
35th Anniversary Mixtape
BY CASEY JARMAN
3 comments
Ghost Stories
BY MICHAEL MANNHEIMER | World’s Greatest Ghosts aren’t the type of nerds you think they are.
0 comments
Top 5: Casey Jarman Listens To The Billboard Hot 100
BY CASEY JARMAN
0 comments
Boat Thursday, Nov. 5
BY CASEY JARMAN | The King of Tacoma and his countrymen get real serious.
0 comments
David Bazan Friday, Nov. 6
BY AARON MESH | The former Pedro the Lion frontman’s fall from grace begets one hell of a solo debut.
0 comments
CD Reviews: Loch Lomond, Brothers Young
WW MUSIC STAFF
0 comments
36th NW Film & Video Festival
WW STAFF | Made in Oregon. Played in Oregon.
0 comments
The Men Who Stare At Goats
BY AARON MESH | The Army has psychic powers, but the movie has no perspective.
1 comment
The Opposite Field
BY HENRY STERN | A father and son connect by way of the summer game.
0 comments
[Screen]
Girl, Uncorrupted
BY AARON MESH | An Education is lovely—but its bittersweet lessons raise questions.
0 comments


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