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INTERVIEW

Q&A: Roots Showing
Tananarive Due

BY MICHAELA LOWTHIAN & SUSAN WICKSTROM
243-2122

 


Actor Blair Underwood has expressed interest in turning Tananarive Due's second novel, My Soul to Keep, into a film.

She looks and talks like a lawyer or college professor or any 30-something urban professional. It's hard to believe Tananarive Due, a former Miami Herald reporter, now makes her living writing scary horror novels in Longview, Wash. But recently, she took a break from the supernatural to complete The Black Rose, a historical novel that Alex Haley planned to write before he died in 1992. The Haley estate handpicked her to write the fictionalized story of Madam C.J. Walker (1867-1919), the first black female millionaire, who started a beauty school and hair-care product empire that reigned until the 1980s. Walker's life captured Due's imagination and reinforced her belief in the strength of black women and culture. Due stopped in Portland last week to promote The Black Rose.

Willamette Week: Does your first name have any special meaning?

Tananarive Due: It's long, isn't it? My mother took a college course in contemporary Africa--it was the capital city of Madagascar. She said, 'I'm going to name my firstborn Tananarive,' but by the time I was born, she forgot how to spell it and had to call her professor. On my birth certificate, it's crossed-out and corrected.

What did you do for the Miami Herald?

I started in news, but the last five years I was there, in addition to writing features, I wrote a dating column. Basically, I'd have a nightmare date--maybe answer a personal ad and it's a disaster--then write about it in the paper.

Is that how you met your husband?

Oh my God, no. I met him at a writers' conference. I write horror novels and he writes science fiction novels--talk about pre-selection. We were both invited to Clark Atlanta University to participate in a conference on the African-American Fantastic Imagination. Our hotel rooms were right next to each other.

Why do you live in Longview?

It's all Steven's--well, I won't say fault. His ex-wife moved there with his daughter. He's a dad, and I wouldn't have married someone who wouldn't want to be in the same town as his daughter. We're pretty much there until she graduates, unless we move to Vancouver for her 10th-grade year, where we're trying to get her into a school.

What is life in Longview like?

Quiet. Rainy. Uhhh, that about covers it. I'm from Miami, you know--I'm used to South Beach and rollerblading. Now it's just a lot quieter, but it's really, really pretty. People are really nice. I've made some friends there. But I still need my Seattle and Portland fixes sometimes.

Why did the Haley estate feel so compelled to get this novel written? And why the tight deadline?

Haley had intended to write the book; he had it under contract when he died. According to the estate, Haley had an agreement with A'Lelia Bundles, his great-great granddaughter who did most of his research, that she could write a nonfiction book that's coming out next year. They wanted some separation between the two--otherwise, you're paired up wherever you go.

How many millionaire black women are there?

Other than Oprah and Madam Walker, I really don't know. I just heard about this woman in San Francisco long ago who might have made a lot of money with whorehouses. At present day, there are certainly many black woman millionaires; I'm sure some of them are in the entertainment industry, and there are businesswomen who are self-made millionaires. I just don't know who they are.

Is the hair thing still an important part of black culture?

Black women and their hair is a touchy subject--well, maybe not touchy, but there's a lot of interest. There's so much: not wanting to get your hair wet if you have a certain style, not wanting your hair touched under certain circumstances, to weave or not to weave. A lot of hair conversations that were going on in Madam Walker's days are still going on today.

Such as?

Such as accusing people who used hair straighteners of trying to look or act white. I looked at those issues and finally decided Madam Walker was not about trying to make black women look white. It was about learning different grooming techniques and broadening options. She envisioned a time when black women's hair wasn't all kinky or all straight but something in between. That's what it looks like to me: natural, braids, cornrows, dreads. She was on the forefront of helping black women learn of that sense of beauty and variety in their hairstyles.

Have Madame Walker's efforts directly affected your life?

My father's mother was a Madam C.J. Walker graduate. At the time, when she was newly divorced in the 1940s with a young child, she was able to go to school, learn skills and open her own beauty parlor. That was the magic of what Madam C.J. Walker did for so many women--empowerment.

 


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