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WW
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Preference will be given to letters of 250 words or less.
Fundamentally
Flawed
I am writing regarding the March 24, 1999,
article by Maureen O'Hagan in Willamette Week titled
"Unlocking Doors."
Regarding Attorney General Hardy Myers' task force recommendations,
Ms. O'Hagan wrote, "It was hammered out over an 18-month
period by the best thinkers and strongest advocates in the
field, people Myers himself appointed as part of a blue-ribbon
task force."
Unfortunately, this "blue-ribbon task force" was fundamentally
flawed. Imagine a task force to develop changes to Oregon
laws regarding access issues for people in wheelchairs.
It is absurd to envision such a task force comprised of
a sole person in a wheelchair while the remainder are able-bodied.
Only one person on the task force was a recovered mental
patient.
The task force suggests the use of legislated force or
coercion to get people to take psychiatric drugs. The only
way the mental-health system knows how to "treat" people
is with powerful drugs. Many mental-health clients reject
these drugs not because of "side effects" but because of
real effects that can be painful, permanently disfiguring
or even result in death.
It is wrong to propose a set of rules that support force
and coercion. Force and coercion do not help the "mentally
ill." Force blocks recovery and destroys the trust that
is the cornerstone of recovery. Force creates fear and dependency,
not recovery. Force violates our rights, is costly and diverts
money from recovery-oriented services.
Individuals must be taught ways of coping that will work
for them. Some may take psychiatric medication. Others may
choose meditation, stress-reducing techniques, vitamin therapy
or other forms of holistic health practices.
There are cost-effective and proven ways to help people
without resorting to the use of force or coercion. Peer
support has been successful in helping people learn to take
personal responsibility for their lives and to thrive successfully
in the community. Compassionate and understanding assistance
from those who have "been there" may have helped prevent
the tragedy of Mary Boos without resorting to the use of
force or coercion.
Instead of seeking the counsel of judges, parents and mental-health
professionals who are filled with stories of what doesn't
work, the AG would have been better off seeking the counsel
of those who have been labeled mentally ill and then recovered.
They would have been able to suggest ways that do work.
They would also have NOT suggested increased use of force
and coercion.
Pat Risser
West Linn
A Man
of the People
The bourgeois arrogance inherent in the Oxford-Stratford
debate drips through the elitist buzzwords in your recent
article ("Gods and Authors,"
WW, April 7, 1999), words such as "ill-schooled," "provincial"
and "backwoodsman." It just shocks and surprises you that
anyone without the power and wealth of the intellectual/cultural
aristocracy could write plays of compassion, power and insight.
Shakespeare's "thread of the life lived" is everywhere evident
in his plays, perhaps not in the tradition of Euripides or
Austin, but certainly in the tradition of Vega, the Yorkshire
cycle writer or Kerouac. The plays constantly reveal his lower-class,
agrarian roots: the folk/fairy-magic tradition in A Midsummer
Night's Dream, Macbeth, The Tempest; the
frail, sometimes broken humanity found in the aristocracy
(Timon of Athens, Hamlet, Richard II);
the civilized rural world vs. the uncivilized city world in
As You Like It, The Winter's Tale, King Lear.
As for the "dry" evidence outside the plays, how else is one's
life recorded? Ask a genealogist. Playwrights were not held
in reverence in Elizabethan/Jacobean England; in fact, they
weren't even considered "real writers" (another legacy of
the elitist aristocracy). Your cultural snobbery is blatant
in your act of rejecting a person's ability to create great
works of art merely because they lack an "intellectual" background
or "aristocratic" lineage. The fact is, Shakespeare was "one
of us," one of the working-class masses, and that just bites
you snobs right on the ass, doesn't it?
Glenn Williams
East Burnside Street
Dismay,
Part I
I am writing in dismay after reading about my
children's school, Irvington Elementary, in the education
article "Mixing It Up"
by Nigel Jaquiss [WW, April 7, 1999]. Our school
has been wrongly singled out for receiving undeserved desegregation
funds. In fact, last week the PTA/LSAC was so worried about
any further funding cuts next year that parents sent a letter
to Superintendent Canada. We feel that the budget reductions
we have undergone in recent years have seriously and negatively
impacted the diverse learning community that we have tried
so hard to maintain. We are a successfully integrated school,
but this success is very fragile, and academic standards
are hard to maintain without the various support staff that
our desegregation funds provide.
The article implies that our student population has changed
dramatically in recent years, from poor minority to affluent
white. This is simply not true. While some of the neighborhood
has become more affluent, the school itself is still economically
diverse (38 percent of students qualify for free or reduced
lunch). The school itself has the same ethnic mix of students
it has had in the past 10 years--about half are white and
half are students of color.
In the end, integration is not about statistics, but about
real human interaction between all different kinds of people.
It is daily a challenge and a reward. Jaquiss' article implies
that the voluntary desegregation program in Portland overall
is antiquated and unnecessary. Where do his children go
to school? I suggest that he come into our classrooms or
walk through the halls at Irvington, and he will see that
integration is still a work in progress...which deserves
all the resources we can muster!
Linda Sladek
Northeast 41st Avenue
Dismay,
Part II
I read with dismay the recent review by Bill
Smith of Curtis Salgado's new CD, Wiggle Outta This
[Recorded Music, WW,
March 31, 1999]. Is Bill Smith some kind of authority on
music? I have heard and purchased Wiggle Outta This
and believe it is an excellent CD. In fact, I believe that
it is Salgado's best work to date.
There are songwriters who attempt to be singers, singers
who attempt to be musicians, musicians who attempt to be
entertainers and entertainers who attempt to be artists.
Most fail. Curtis Salgado is a singer, songwriter, musician,
entertainer and artist. He has more talent than many better-known
performers. Your comment that he should stick to cover songs
was out of line. I'll assume it came from ignorance or perhaps
jealousy. I have heard Curtis' masterful rendition of cover
songs. He presents each to the audience with so much passion,
energy and uniqueness that it is difficult to remember who
sang them before.
I loved the song "Cookie Dough" from the first time I heard
it. The same with the title song, also an original, as well
as "Sweet Jesus, Buddha the Doctor." Do yourself a favor
and listen again. In my opinion, you really missed the boat
on this one. Maybe you should stick to delivering newspapers
instead of attempting to write accurate reviews to be published
in them.
Teresa Pronovost
Wilsonville
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - Willamette Week | originally
published April 14,
1999
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