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House Party
The habanero-hot real-estate market has designers jumping to get their names stitched across your bedspread, not just your breast pocket.

BY MAC MONTANDON
mmontandon@wweek.com

photo by DJ


You push aside your Banana Republic twill shower curtain, step onto a Tommy Hilfiger bath mat and dry off with a long Ralph Lauren towel; you brush your teeth and rinse with water held in a BR tumbler; you sneak seven more minutes of sleep before work, slipping between steel-blue Nautica sheets and a floral-print Tommy comforter. Then you get dressed in Bananatommyralph wear and leave the house that you bought alone but needed the help of several clothes designers to furnish.

It may sound horrifyingly like that brand-obssesed novel American Psycho, but if the aforementioned companies have their way, this scene will soon be much closer to fact than fiction.

Suddenly, middle-shelf clothing designers such as Calvin Klein, Nautica, Banana Republic and Tommy Hilfiger have purposefully stepped out of America's closets and into our bathrooms, kitchens and bedrooms. These brands and others are practically spraining ligaments as they wrestle one another for footing in the quickly expanding home-goods industry.

Bathroom and bedding goods began rolling into Meier & Frank as part of the Tommy Hilfiger Home line in the summer of 1998. Betsy Schaper, the public-relations director for Tommy Hilfiger Home, says TH has seen double-digit increases in sales each season since the launch of the line. The company is now developing flatware, furniture, wallpaper and even fabrics to be sold by the yard. The market for these goods isn't tough to identify: a preppily checkered pillowcase for the male teen; a wholesome, flowery comforter for his sister; and khaki-colored sheets for everyone.

"Designers have always had a desire to create a lifestyle line," Schaper says. "It's a natural extension for a designer after establishing their line to want to extend into the home."

Lifestyle is the décor industry's glowing green light. Where a person's lifestyle might have once suggested only that they preferred scotch to vodka, now the term is used as fodder for marketers wanting to dress you head to toe--and do the same to your house. Are you a chino person? Do you lead a chino lifestyle? If you buy pants from Banana Republic, the company believes, your lifestyle dictates that you would be inclined to drink from a decidedly uncomplicated BR glass. Or, if you dress in Calvin Klein's charcoals and blacks, perhaps you'd care to sleep among similarly hued bed covers.

One need look no farther than the Banana Republic Web site (www.bananarepublic.com) to see this line of thinking hard at work. Just as it has longed to dress us all in Desert Shield leisure wear, Banana Republic has been a tiger in seeking brand ubiquity in your house. Its site aggressively displays page after page of furnishings. In some instances--the chino duvet or the twill shower curtain come to mind--it appears the company has simply taken leftover trousers and stitched them into different patterns. But BR also offers a cashmere eye mask, a bedside carafe plus tumblers, towels, decanters, pillows, ceramic plates, serving utensils, napkins, shower gel and lip balm; the items are available at reasonable prices and manufactured with the dull simplicity of one of the brand's wool jerseys. Not bad for an outfit that was peddling a few urban safari shirts before the Gap bought the company in 1983. So far, not many of BR's home goods are available to Portlanders outside the virtual realm--the Pioneer Square outpost can sell you a candle or two--but a flagship store scheduled to open next October in the Fox Tower will bring BR's house party to town.

"A couple years ago, customers would come into our store and comment on the fixtures and tables we used to display the clothes," explains Kim Sobel, Banana Republic senior communications manager. "From the customers' interest in these things, we began developing the home line. It's just a way of reinforcing that Banana Republic is a lifestyle brand."

The market for such a brand seems to be expanding.

"I think what has impacted the industry is that, A, more people are buying homes and then, B, those people are buying for the home," Tommy Hilfiger's Schaper notes. "And, of course, more women are buying houses. All that is part of the equation."

In October, The New York Times reported that close to 57 percent of single women now own homes. The article related that "women living alone, or who are single heads of household, increased as a share of total home buyers, from 10 percent in 1985 to 15 percent in 1997."

Figures of this sort leave designers like Tommy eyeing the home-furnishings industry the way sailors ogle barfly babes at a port-town dive.

While in town this October to promote Freedom, his new fragrance, Tommy Hilfiger told WW that he didn't want to be known as just a clothes designer. Partly to keep up with the Laurens, partly out of a desire to ratchet up a brand's hold on our lives, designers now mimic the multi-tasking entertainment types they hang with. So while Jewel evolves into a singer/poet/thespian, Hilfiger lights out for designer/parfumeur/decorator éclat.

When the dust from the home-buying frenzy settles, it is likely that companies will find success selling household goods--to customers already interested in their clothes. But it is doubtful that more thrifty or savvy consumers will suddenly consider a chino duvet a must-have.

Laura Rittall, for one, isn't buying the new linen league. A homeless-family advocate with the experimental-housing project Richmond Place, Rittall questions many of the new home goods. A self-described "hardcore recycler," Rittall is more likely to furnish the Northeast house she bought alone a year and a half ago with Goodwill tables, Fred Meyer bath mats and a little ingenuity. She uses an old refrigerator as shelving for her cookbooks.

"When you buy a new place, it's your dream home," Rittall says. "I felt like for me it was an opportunity to nest, to build my version of a space."

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Willamette Week | originally published December 1, 1999

 


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