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PREVIEW

Don't Wanna Work on Jeri's Farm No More

The Frances Farmer Gals rioted through the good ol' days of Portland rock before moving on to kids, sobriety and (semi)seriousness. Now, the Gals return for one more ride.

BY ZACH DUNDAS
zdundas@wweek.com

 


Frances Farmer Gals, Canned Hamm, Karaoke From Hell
Dante's
1 SW 3rd Ave., 226-6630
10 pm Friday, April 21
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Frances Farmer Gals, Various Guests
Flying Saucer Cafe
2138 SE Division St., 231-3899
4 pm Sunday, April 23
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"We were never riot grrls. We were gals."

On an unseasonably hot and humid afternoon, Dawn Panttaja sits at a sidewalk cafe downtown and talks about the glory days: those halcyon X-Ray Cafe days, the sainted salad days of Portland underground rock.

It's a refrain you hear from practically everyone who made the scene during Clinton's first term--oh X-Ray, fair X-Ray, we miss you so. The hole-in-the-wall on West Burnside Street may have spawned more legends, elegies and gilded memories than actual shows before it shut down in 1994.

Panttaja did her bit for the mythmaking, for sure. In an era when the aforementioned riot grrls roamed the Northwest with SLUT scrawled in black ink on their bellies and dreams of Sassy features in their heads, Panttaja favored more raucous and womanly rebellion. Along with Jeri Ann Sheehan, proud owner of a whiskey-scratched rock-and-roll throat, and a rotating cast of drummers, dancers and other conspirators, Panttaja blasted away with the Frances Farmer Gals.

The Gals stomped out a ragged heathen crossbreed of roadhouse rock and cowgirl punk, raising their share of Cain before the centrifugal forces of family and wanderlust brought the band to an end at mid-decade. Now they're reuniting for two shows that aim to reignite some of the fertile chaos of their own good old days.

After all, it's the season for resurrections, and this second coming promises to be particularly bizarre. On Good Friday, the reconstituted Gals headline in the hellfire of Dante's, within slingshot range of the old X-Ray. That bill includes Canned Hamm, a pair of hulking Canadian ventriloquists, and Karaoke From Hell, a 100-song sing-along frenzy with a live band. Then, on Easter Sunday, the Gals hold forth during an all-ages matinee at the Flying Saucer--mostly so their own kids can watch 'em play.

These two shows--one a nightclub throwdown, the other a family affair--nicely sum up the Gals past and present.

"We were known as the hardest-drinking band in Portland," Panttaja says. "But then, it came to a point where we had to live or die, and we chose to live. I'd just had my daughter, and I'd been playing all through my pregnancy.

"I played in a black bikini at eight and a half months pregnant, when we opened for the Voluptuous Horror of Karen Black. But I played for a little while after my daughter was born, and I realized I just couldn't do it."

At the same time, Sheehan, the badass font of the band's attitude, took off for New Orleans on a one-way ticket, reappearing in Portland many moons later. Sheehan lives in California now and is flying back to PDX for the Gals' short-term 2000 comeback.

It's pretty obvious why a Frances Farmer reunion attracts the band's alumnae. Panttaja and drummer Victoria Porter (a.k.a. Vic the Stick) drop stories of mysteriously heisted drumsets, Weimar Republic-style cabaret madness and shows in Saran Wrap. In general, it seems that willful cussedness and a refusal to take things too seriously ruled the day with FFG.

It seems like it was pretty goddamned fun.

"We were a drinkin', non-smokin', meat-eating band," Porter says. "Which was highly unusual at the time."

"Yeah, we opened a show with Bikini Kill wearing vintage swimsuits," Panttaja adds, recalling a gig with the humor-deficient flagship band of the riot grrl movement. "I don't think they thought that was very funny.

"It was pretty much an amazing time," she continues. "Everybody was doing things, but no one felt like they were going pro or anything like that. And Jeri Ann just captured this quality that was everything raunchy and vibrant about rock and roll."

"You didn't have to be that good," Porter recalls. "You just had to have a schtick. Now it seems like it's back to having to be good."

Ah, well. Surely, the Frances Farmer Gals will do just fine anyway.



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Willamette Week | originally published April 19, 2000

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