searchwweek home
Personals
Classifieds

Lead Story
Q and A
ENVIRONMENT
Newsbuzz
Letters to the Editor
LISTINGS
Screen Listings
Performance Listings
Music Listings
Graze
Visual Arts Listings
Word Listings
Outdoor Listings
REVIEWS
SCREEN
SONIC REDUCER
MUSIC 1
MUSIC 2
PERFORMANCE 1
PERFORMANCE 2
VISUAL ARTS
DISH
bibliofiles
COLUMNS
QUEERWINDOW
DRESS
DRINK
Wild Life
MISS DISH
FROM THE MUSIC DESK

Best Of Portland: 2000
Restaurant Guide 2000-2001
Cheap Eats 2000

masthead
recent screen stories/ reviews:

12/27
2001 Predictions;
Spike Lee's Bamboozled
12/19
Cast Away, Family Man;
Finding Forrester
12/13

Dark Days;
Michelangelo Antonioni
12/05
Hollywood's Holiday Offerings
11/28
Comic Books

 

THE COLOR OF PARADISE: One of Y2K's best films.

RETROSPECTIVE
LOOKING BACK
In case anyone cares, David Walker has named his favorite films of 2000.

by DAVID WALKER
dwalker@wweek.com


When I was 5 years old, I thought the year 2000 would find me tooling around with a jetpack, battling the evil forces that threatened to dominate the world. Instead, I've spent the past year watching a lot of movies. And though many of the best films I saw came and went with little fanfare, overshadowed by blockbusters like Gladiator and Charlie's Angels, most of them are now available on video. Here are my favorite films of 2000--in alphabetical order.

Chicken Run--Who would have thought that animated chickens could be so entertaining? Years from now, when people talk about classic films for the whole family, this will be one of them.

Color of Paradise--Truth be told, this Iranian film was the most surprising--and thereby the best--movie I saw in 2000. Director Majid Majidi's tale of a young blind boy who returns to live with the father who is ashamed of him, is profound in its simplistic beauty and poetic in its vision.

Crouching Tiger, Hidden Dragon--No, it's not the greatest kung-fu movie of all time--that would be Bruce Lee's Enter the Dragon or Jet Li's Fist of Legend--but Crouching Tiger is one of the best films of 2000. Michelle Yeoh is mesmerizing as a powerful warrior whose heart yearns for a man she can never have (Chow Yun Fat).

High Fidelity--I know. I know. Everyone else picked this film too. But I liked it.

O Brother, Where Art Thou?--It's the Coen Brothers. What more do I need to say?

Pitch Black--Above all else, films are supposed to entertain. And though it looked like just another rip-off of Aliens, Pitch Black surprised a lot of people--including me--by turning out to be one of the most mindlessly entertaining films of the year.

Sound and Fury--The ongoing debate within the deaf community over an operation that can restore hearing is at the heart of Josh Aronson's documentary. This film is easily the most thought-provoking and emotionally charged film I saw all year; it stuck with me for weeks after watching it.

The Terrorist--Cinematographer-turned-director Santosh Sivan brought us this intense character study of a beautiful young terrorist who discovers the joys of life after being sent on a suicide mission.

Wadd: The Life and Times of John C. Holmes and Girl Next Door--I can't decide between this pair of documentaries that strips bare (pun intended) the porn industry. It's a tie.

The Way of the Gun--A lot of critics failed to see the beauty of this ultra-violent action film. They also failed to appreciated The Wild Bunch the first time around, and now Peckinpah's film is considered a classic.


David Walker's 10 Honorable Mentions for Best of Y2K: Best in Show, Cecil B. DeMented, Croupier, East Is East, Ghost Dog: The Way of the Samurai, Non-Stop, Nurse Betty, The Woman Chaser, Unbreakable, You Can Count on Me



David Walker's 10 Worst Films of Y2K: The Art of War, Boys and Girls, Duets, Flintstones in Viva Rock Vegas, Held Up, The Legend of BaggerVance, Requiem for a Dream, Shaft, Trois, Trixie