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REVIEW
Adonis in the Infield
Baseball legend Hank Greenberg gets the hero treatment in Aviva Kempner's biography.

BY BRIAN LIBBY
243-2122 ext. 355


The Life and Times of Hank Greenberg
Not Rated
Cinema 21, 616 NW 21st Ave., 223-4515. Friday-Monday,
May 12-15. $6.

In 1947, Hank Greenberg became the first baseball player to earn more than $100,000 per year.

In 1946, Detroit unceremoniously cut Greenberg after a misunderstanding involving a wartime photograph of him in a Yankee uniform.

Numerology buffs may note that Greenberg was born on 1/1/11.

Greenberg's lifetime batting average was .313. He was inducted into the Hall of Fame in 1956.


In last week's review of The Filth and the Fury, I praised director Julien Temple for telling the real story of the Sex Pistols instead of the legend as a means of reaffirming punk rock's do-it-yourself virtues. But for The Life and Times of Hank Greenberg, filmmaker Aviva Kempner has gone the other way, opting for hero worship at the expense of understanding the man. Turns out it's an equally good move.

Lauded as everything from "the baseball Moses" to the most important American Jew in the 1930s, Hank Greenberg was not the first Jewish player in major-league baseball, but he was the first Jewish star--and thus an embodiment of the hopes of millions. The son of Orthodox Romanian Jews, Greenberg joined the Detroit Tigers in 1933, only a few years after local tycoon Henry Ford had published The International Jew, which argued that a vast Jewish conspiracy was behind both Communism and capitalism in an attempt to destroy Christian civilization. Other Jewish ballplayers changed their names to hide their religion and avoid persecution, but Greenberg refused.

"There was always some leather-lung in the stands that was getting on me," Greenberg recalls in a 1983 interview. "I found that it was a spur to make me do better."

It must have worked. As recalled in meticulous detail by adoring fans (including lawyer Alan Dershowitz and New York Times sportswriter Ira Berkow), Greenberg was one of the greatest hitters and most dependable clutch players of his generation. Twice named the Most Valuable Player in the American League, Greenberg was the cornerstone of a Detroit franchise that won two World Series crowns and four pennants. In 1937 he fell one run-batted-in shy of Lou Gehrig's single-season record, and in 1938 he fell two home runs short of tying Babe Ruth's record of 60 in a season. Greenberg was also the first professional ballplayer to enlist in the Armed forces and the first to treat Jackie Robinson like a man. By the time he retired in 1947, the heckling had disappeared.

Although Kempner spent 12 years making Life and Times, the film is a simple and straightforward collection of archived baseball footage and interviews. Greenberg's true personality out of uniform remains largely unexplored, and Kempner glosses over his divorce and other moments of fallibility. But this cardboard Clark Kent figure becomes a Superman in the recollections of his devotees. As anti-Semitism reached a global crescendo during the Great Depression and World War II, Greenberg came to embody pride, defiance and citizenship itself for millions of Jewish Americans--especially those back home in the Bronx. Other players had better stats and more rings, but no one (except maybe Robinson) meant more and symbolized more to his community. With great deference to that adoration, Kempner reminds us that, rightly or wrongly, some historical figures inspire deconstruction, others deification. Chances are Hammering Hank has a few skeletons in his closet, but in an age that swallows up most of its heroes, you can't blame his legions--Kempner included--for needing to keep the legend alive.

 



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Willamette Week | originally published May 10, 2000

 

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