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REVIEW

Here They Come to Save the Day
Comic book fans may find reasons to complain, but X-Men delivers the goods.

BY DAVID WALKER
dwalker@wweek.com


X-Men
Rated PG-13
Opens Friday,
July 14

X-Men creators Stan Lee and Jack Kirby are responsible for such superheroes as the Incredible Hulk, the Fantastic Four, the Avengers and Silver Surfer.

Director Bryan Singer and Ian McKellan worked together in Apt Pupil.

Hugh Jackman, who plays Wolverine, was a last-minute replacement for actor Dougray Scott (Mission: Impossible 2), who was forced to drop out of X-Men.


When Stan Lee and Jack Kirby created The Uncanny X-Men in 1963, they added more than a new cast of a characters to the then-in-its-infancy Marvel Universe, which included Spider-man, Fantastic Four and the Incredible Hulk. Lee and Kirby's creation--a team of super-powered mutants dedicated to protecting a world that fears and hates them--would become an epic tale of mythic proportions. Characters have died and been resurrected. Heroes have become villains and villains have saved the day. Now the characters of the best-selling comic book face their greatest challenge--translation from printed page to movie screen. It's a knock-down, drag-out battle, but one from which they emerge victorious.

X-Men begins in Poland during the second World War, as young Eric Lehnsherr is separated from his family while they are marched off to the gas chambers. As the young boy fights to be with his family, he begins to manifest an amazing ability to manipulate metal--he becomes a living magnet.

Jump ahead 60-plus years. Mankind is slowly evolving into a new species of super-powered mutants--Homo superior. Enter Professor Charles Xavier (Patrick Stewart), a powerful telepath who wants to see mutants and mankind live in peace, despite the efforts of Sen. Robert Kelly (Bruce Davison), a McCarthy-like anti-mutant crusader. Xavier has formed his School for the Gifted, an institution designed to help mutants like Wolverine (Hugh Jackman) and Rogue (Anna Paquin) cope with their differences and hone their powers. Xavier is also mentor to the X-Men, a team of highly trained mutants who have sworn to defend the world from Magneto (Ian McKellan), a much older, world-weary and bitter Lehnsherr who has seen firsthand the evil mankind represents. Magneto and his evil "brotherhood" are preparing for the inevitable war he believes will be fought between humans and mutants--a war he plans to win.

With more than 40 years of mythology to potentially screw up, X-Men uncannily manages to succeed where so many other comic-book adaptations like Batman and Robin have failed. Director Bryan Singer (The Usual Suspects) treats the story and the characters as seriously as a film of this nature allows. Sure, there are a few liberties taken: Costumes have been radically altered--looking like something out of The Matrix--and some of the actors, like Jackman, don't physically resemble their comic counterparts. But the movie works, maintaining the precarious balance between placating die-hard comic fans and entertaining mainstream audiences. Jackman gives a break-out performance as Wolverine, the film's central character, and McKellan's Magneto is a multidimensional mix of villainy and understandable rage.

X-Men runs the risk of collapsing under the weight of its large ensemble cast and several subplots, and at times it does stumble, but Singer manages to handle the load. Favoring character development over action--which isn't a bad thing, especially since the action scenes work so well--Singer has created an entertaining film that does justice to its source material.

 

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