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The Curious Case of Howard Philips Lovecraft
Creeping terrors, animated corpses and Books of the Dead abound in the annual H.P. Lovecraft Film Festival.

BY IAN SMITH


H.P. Lovecraft Film Festival

Clinton Street Theater

2522 SE Clinton St., 238-8899

7 pm Friday-Monday, Oct. 6-9. Call theater for individual show times, or go to www.hplfilm
festival.com for details

$6







Actor Jeffrey Combs, who starred as Herbert West in both
Re-Animator films, also played H.P. Lovecraft in Necronomicon.









Portland author Andrew Migliore co-wrote The Lurker in the Lobby: A Guide
to the Cinema of H. P. Lovecraft
.

 


H.P. Lovecraft was a man ahead of his time. A sickly pulp writer who contributed to the precursors of modern fantasy and dark fiction in rags such as Weird Tales in the 1920s-1930s era, Lovecraft died destitute, his only legacy being a handful of short stories and a legion of devoted fans and fellow writers. His stories were often so convincing that fictitious inventions such as the "Necronomicon" and "Miskatonic University" have become part of our nation's collective unconscious. The Necronomicon, Lovecraft's famed "book of the dead"--written in blood and bound in human flesh--should be familiar to fans of the Evil Dead film series, and even Stephen King scatters Lovecraftian graffiti pointing to the "Plains of Leng" in his books. Yet, apart from every horror writer on the planet and disenfranchised youth, conspicuously few people know his name. Now Portland can get in on this dark little secret, because the creepy, tentacled, squirming Ancient Ones of Lovecraft's id are being projected for all to see at the Clinton Street Theatre.

In its sixth year, the H.P. Lovecraft Film Festival gathers together films of all shapes and sizes that have been based on or inspired by the works of New England's original horror writer. The four-night festival plays host to three feature films: Bride of Re-Animator, the 1989 sequel to the cult hit Re-Animator, both based on the serialized adventures of "Herbert West: Reanimator" and starring Jeffrey Combs as the deadpanning mad scientist obsessed with resurrecting corpses; director Ivan Zucco's The Beyond (not to be confused with horrormeister Lucio Fulci's The Beyond) which draws its inspiration from such Lovecraft stories as "The History of the Necronomicon" and "The Nameless City"; and director John Carpenter's The Thing, which is based on John Campbell's short story "Who Goes There?" but is brimming with Lovecraftian influences.

In fact, Lovecraft's influence on film reaches far beyond those that bear his name. Yet curiously, very few direct adaptations of Lovecraft stories have been translated to film. This has to do with the writer's dependence on, as he put it, "atmosphere over action"--not to mention the budget it would take to bring his imagination to life on the screen. Bride of Re-Animator is a perfect example of a movie that uses Lovecraft's characters and concepts to create a dark Frankensteinian comedy but doesn't adapt the story it pulls its elements from.

In addition to the feature films, the festival includes 13 shorts. The quality of these varies, but the love and respect for Lovecraft is evident in all. Out of Mind: The Stories of H. P. Lovecraft explores the themes of the author's work, while casting Lovecraft himself as a character. Drawing inspiration from Lovecraft's Randolph Carter stories, The Testimony of Randolph Carter is an eerie courtroom tale laced with flashbacks. Rough Magik is a bright point of the festival, seemingly the premiere episode of a series where "dreamers" hear the call of Cthulhu--a godlike space alien--and start sharpening their knives.

As the films of the festival unfold, the geek quotient goes off the scale, and the knowing Lovecraft references fly. But you don't need to be familiar with the author to enjoy the films. The only things you'll need to remember are: (A) Never read aloud incantations out of books you're unfamiliar with, and (B) If the townsfolk tell you to stay away from the house, there's usually a pretty good reason.

Naturally, as with any film festival the quality of the films varies greatly. Some are a bit too ambitious and would have benefited from more money and better talent. Luckily, there is a decent balance in the material presented. And even in the films of lesser quality, you'll find all of the concepts that made Lovecraft great: insanity, heredity, evil, astronomy and glimpses at the Ancient Ones, the creeping unconscious horrors made flesh with names like Cthulhu and Nyarlathotep that make up their own terrible mythos.

Long after his death, many writers and fans have kept Lovecraft from becoming a literary footnote. His books remain in print, and his most die-hard fans continue spreading the word. The H.P. Lovecraft Film Festival is in the same spirit, keeping the writer's vision alive--well, squiggling--and on the screen.

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