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YOUR WEEKLY STYLE SOURCE, WITH NO PUSHY SALESPEOPLE

pink stinks


BY JILL SPITZNASS
243-2122 ext. 307


From the runways of Paris to the sales racks of Target, pink is everywhere. This pressure to "Think pink!" makes me see red. Pink is the color my mother (still) wishes I'd wear. Pink is the color of medicinal remedies. Pink says, "Hi, I'm Heather, and I'll be your pushover today."

The pink conspiracy can be attributed to industry color analysts and trend forecasters, whose job it is to help designers avoid costly errors as they plan upcoming collections. Money, not telepathy, inspires the strikingly similar themes that designers produce each season. Even Calvin Klein can't afford to present an all-black collection when the analysts insist the consumer wants color. The stakes are too high, the customer too fickle--which is why we now find ourselves gasping for breath in a pink maelstrom.

The push for pink has little to do with the actual hue. The shade du jour could be anything--orange or violet--as long as it's not black, gray or brown. In essence, the color, which just happens to be candy-ass pink, is the fashion industry's response to the black suit. In the '90s, virtually anybody with a job (or a funeral) to go to made black the foundation of their wardrobe. Millions found comfort in their minimalist uniforms, embracing the order that a few well-chosen pieces of clothing brought to their lives. Busy women found the benefits of a little black dress and matching jacket to be a breakthrough on a par with the pill. The freedom and transformative qualities of this magical ensemble seemed unparalleled. After work, they simply lost the jacket and donned the pearls, et voilà--the day-into-evening transformation was complete.

But there is no room in retail for satisfaction. Planned obsolescence is the name of the game. (That's a fancy way of saying, "You're not still wearing that, are you? Buy something new!") The game begins long before you even know you're in it--usually years before the trend surfaces at the nearest mall. For example, the butterfly-emblazoned tank or hair accessory you're wearing now is a trend that can be traced back to at least 1996, when Hermès showed a sheath dress in a colorful butterfly fabric at its spring show. Competitors worked overtime that night, producing knock-offs of the hit item. Since then, we've been offered every conceivable variation on the trend, which has mercifully run out of steam. (Now is a good time to pick up butterfly dishware and sheets.)

Should you decide to take the bait, remember that it's all about choosing the right shade of pink. Steer clear of Pepto-Bismol pink clothing, which, when paired with anything black, will cause you to resemble a box of Good & Plentys. The best shade for anyone over 16 is what Donna Karan calls "nude," a color that's more taupe than pink and looks great on virtually all skin tones. Choose a focal point for your pink-hued cosmetics, as more than one shot is tutu much. Lips, cheeks, fingers or toenails--but no "pink-eye," please. As for men in pink: Just say no.



Toga! Toga!

Who knew that a single piece of fabric could cover so much territory? Head upstairs to the Textile Room at Cargo, 1301 NW Glisan St., and drape yourself in the possibilities. No two fabrics are the same; each is rich with exotic color, pattern and history. Prices run from $17--$700. Drape your dining table in an oversized cloth from India, or frame your form in a Balinese sarong. And don't restrict that sultry square to poolside status; combine a sarong with a sleek tee and sexy sandals for party-ready panache. Wrap it up--I'll take it!

Boys Don't Cry
Weight loss, self-righteous anger, consolation from Ben and Jerry. There are more than a few benefits to being A Woman Scorned. But probably the best of all is the gotta-have-it tee from Hot Topic at Lloyd Center. Emblazoned with two little words, it tells the world your current position on all things male: "Boys Lie." The tee is $19, the tank $14. Hurry. We've got a feeling they'll go fast.


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Willamette Week | originally published June 23, 1999


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