[TWO NIGHTS ONLY, REVIVAL] Those obsessed with the detailed, melancholic worlds of Wes Anderson would do well to witness what director Hal Ashby accomplishes with a 79-year-old free spirit, a bug-eyed suicidal teen, a flaming Jaguar hearse and an LP full of Cat Stevens tunes. The (grand)mother of all odd-couple stories, this 1971 sleeper hit revolves around the budding romance between rich, disconnected would-be corpse Harold (Bud Cort) and a worldly, whimsical rebel named Maude (Ruth Gordon). The pair's anti-establishment antics (liberating trees from sidewalks, crashing funerals and lifting cars) still often elicit claps and hoots from theatergoers. But perhaps the real reason Harold and Maude has aged so well is that its delightfully oddball theme of intergenerational ugly-bumping is secondary to its sheer generosity of spirit and belief that you can change yourself by touching others—in all sorts of ways. KELLY CLARKE