Theater
The Body of an American
Gerding Theater, 128 NW 11th Ave.,
445-3700,
. 7:30 pm Tuesdays-Sundays, 2 pm Sundays, noon select
Thursdays, Oct. 2-Nov. 11.
âMaster Haroldâ...and the Boys
Profile Theatre produces a full slate of
plays by a different playwright each year, devoting this season to Athol
Fugard, a South African dramatist known for political, persuasive plays
about apartheid. âMaster Haroldâ is a semi-autobiographical work
about three friendsâone white, two blackâgrappling with the tangles of
bigotry and institutionalized racism in 1950s South Africa. Director
Jane Ungerâs strong cast includes Bobby Bermea, who gave a stirring
performance in Portland Playhouseâs Brother/Sister Plays last season. Theater! Theatre!, 3430 SE Belmont St., 242-0080, profiletheatre.org. Oct. 3-Oct. 28.
Bloody Bloody Andrew Jackson
In this election year, Portland Playhouse
looks back on American political historyâway back. The company stages
its first musical, an emo-rock tale about our seventh president, the man
behind the Trail of Tears. Heavy on narcissistic numbers and oversexed
characters, this is populist politics squeezed into a pair of skinny
jeans. Expect brassy (but not irrelevant) relief from contemporary
political muckâThe New York Times said Bloody Bloody âpresents a wild and woolly chapter in American history that feels anything but distant.â Portland Playhouse, 602 NE Prescott St., 488-5822, portlandplayhouse.org. Oct. 11-Nov. 11.
Body Awareness
Circle Mirror Transformation
Time Out New York
CoHo
Theater, 2257 NW Raleigh St., 205-0715,
. 7:30 pm
Thursdays-Saturdays, 2 pm Sundays, Oct. 18-Nov. 10. $20-$25, Thursdays
are pay-what-you-can.
The Homecoming
Never a company to shy away from a
challenge, Defunkt Theatre opens its 13th season with Harold Pinterâs
enigmatic play about a son who brings his American wife to meet his
working-class family in North London. The Tony Award-winning drama,
described by critic John Lahr as âboth a family romance and a turf war,â
exposes thorny issues of morality, sex and violence. Paul Angelo
directs. Back Door Theater, 4319 SE Hawthorne Blvd., 418-2960,
defunktheatre.com. 8 pm Thursdays-Sundays, Oct. 12-Nov. 17. $15-$20,
Thursdays are pay-what-you-can.
That Hopey Changey Thing
Third Rail Repertory resurrects the words
of Sarah Palin (she coined the playâs title phrase) with this Richard
Nelson work, set on election day 2010. Itâs the first in a planned cycle
of four plays about the Apple family, a clan of devoted Democrats
exploring the shifting currents of politics and relationships. Third
Rail, one of just two theaters in the country to tackle the cycle, pulls
out a top-notch cast for this first installment: Bruce Burkhartsmeier,
Maureen Porter and Mike OâConnell, among others. Winningstad Theatre,
Portland Center for the Performing Arts, 1111 SW Broadway, 235-1101,
thirdrailrep.org. 7:30 pm Thursdays-Saturdays, 2 pm Sundays, Oct. 5-28.
$22.25-$41.25.
Visual Arts
Andrea Schwartz-Feit
Andrea Schwartz-Feitâs wax-based
paintings gain a fresh freedom in her latest body of work. For years,
the artist used tightly controlled grids to depict abstract patterns and
natural scenes in twinkly blocks of color. Now, she has deep-sixed the
grid and unleashed a gift for flowing gesture. Most of her forms are
ovals that loop up, down, over and around, in patterns that variously
resemble trees, flowers, chain link and other natural and human-made
objects. Light-hearted, even dainty, in their compositions despite their
heavy grayscale palette, the paintings make thrifty use of negative
space and subtly textured surfaces. Butters Gallery, 520 NW Davis St., 248-9378. Oct. 4-29.
Portland Art Museum: The Body Beautiful in Ancient Greece
Remember the classical curves of the Venus de Milo statue? The ripped abs and tight pecs of the Kouros?
These ideals of Western beauty were brought to us by ancient Greece in
all its glory, and while those specific pieces are not included in The Body Beautiful in Ancient Greece,
scores of other important artifacts are: statues, armor, vases and
more. This traveling exhibition, which originated at the British Museum,
touches down in Portland to remind us of the contours and proportions
that have stood as paragons of physical perfection through the millennia
and still retain their ability to inspire, ennoble and, yes, even
arouse us. 1219 SW Park Ave., 226-2811. Oct. 6-Jan. 6.
Rene Rickabaugh and Francis Celentano
Laura Russo Gallery, 805 NW 21st Ave., 226-2754. Oct. 4-27.
MK Guth
âWhat happens in Vegas stays in Vegas,â
unless youâre artist MK Guth. Guth turned her 20-day residency at Las
Vegasâ Cosmopolitan Hotel into a photographic and sculptural exhibition
destined for the bluest of Portlandâs blue-chip galleries, Elizabeth
Leach. A 2008 exhibitor at New York Cityâs prestigious Whitney Biennial,
Guth is one of the Northwestâs most respected conceptual artists. Like
nearly all of her past shows, this one promises to mix populist appeal
with a winning sense of whimsy. Elizabeth Leach Gallery, 417 NW 9th Ave., 224-0844. Oct. 4-Nov. 24.
Classical
Stephen Stubbs and Pacific Musicworks with Les Voix Baroques
Some of North Americaâs most accomplished
early music experts perform one of the first masterpieces of the
Baroque era, Claudio Monteverdiâs stirring 1610 choral orchestral
classic, Vespers of the Sacred Virgin. Trinity Episcopal Cathedral, 147 NW 19th Ave., 222-6000. 5 pm Sunday, Oct. 21. $26-$54.
Cappella Romana and Portland Baroque Orchestra
Two of the Northwestâs finest
historically informed ensembles perform popular masterpieces by the
three of the greatest Baroque composers: Handel, Vivaldi and J.S. Bach. First
Baptist Church, Southwest 12th Avenue and Taylor Street. 7:30 pm
Friday-Saturday, Oct. 12-13. Kaul Auditorium, Reed College, 3203 SE
Woodstock Blvd., 222-6000. 3 pm Sunday, Oct. 14. $18-$49.
Opera Theater Oregon
With help from the protean voices of
Willamette Radio Theater, the plucky indie opera group revives one of
the first operas ever created for radio, American composer Gian Carlo
Menottiâs The Old Maid and the Thief. The production will be
staged with the audience in a 1939 radio studio (contrived by Portland
all-classical radio station KQAC), and will include a show-within-a-show
plotline, an original short film, a live score performed by a chamber
ensemble and more. Mission Theater, 1624 NW Glisan St., 314-0256.
7:30 pm Friday-Saturday and Thursday-Friday, Oct. 5-6, 11-12, and 2 pm
Sunday, Oct. 7. Ticket prices not available at press time.
Dance
White Bird
Portland dance presenter White Bird
celebrates its 15th season with two choreographers whoâve made headlines
recently. Former New York City Ballet principal dancer Benjamin
Millepiedâbetter known as Mr. Natalie Portmanâstrikes out on his own
with the L.A. Dance Project, a company whose collective repertoire spans
Nijinska to Petronio. The other will be 1964âs Winterbranch,
from modern legend Merce Cunningham. (7:30 pm Wednesday, Sept. 26, at
Arlene Schnitzer Concert Hall). Then thereâs Akram Khan, whose
choreographic tribute to victims of terrorism you didnât see during the
Olympics opening ceremoniesâif you were watching in the States, that is,
as NBC supplanted it with Ryan Seacrestâs Michael Phelps interview. The
Akram Khan Company brings Vertical Road, an evening-length work
inspired by Sufi tradition and the Persian poet Rumi. Whirling dervishes
may come to mind in this propulsive and mesmerizing work. Arlene Schnitzer Concert Hall, 1037 SW Broadway, whitebird.org. 7:30 pm Wednesday, Oct. 17.
A Portland Circus on Cageâs Silence
Itâs easy enough to play six degrees of
separation in the dance world: About the time White Bird shares work by
Merce Cunninghamâand Trisha Brown, a Cunningham acolyteâPortland
choreographer Linda Austin joins in a 100th birthday party for
Cunninghamâs longtime musical collaborator. Austin and sound artist Seth
Nehil have collaborated on A Portland Circus on Cageâs Silence, an hourlong movement and music performance supplementing the Pacific Northwest College of Art exhibit Happy Birthday: A Celebration of Chance and Listening.
Cunningham and Cage came to be known for âchance dance,â in which
random events such as the roll of a dice could shape movement and music
phrases. Austin and Nehil, like their inspirations, are working
separately. The first time their creations will merge will be in the
PNCA Commons, where 16 dancers, 10 musicians and a poet will wander
among viewers, on balconies and in hallways. An oversized projected
stopwatch will coordinate the performers to the score. A whoâs who of
local contemporary dancersâincluding Mike Barber, Tere Mathern and Carla
Mannâare slated to perform. PNCA Main Campus, 1241 NW Johnson St., 226-4391. 7 pm Wednesday, Oct. 3.
Northwest Dance Project
If Akram Khan didnât quite get his full
due at this summerâs Olympics, Portlandâs Northwest Dance Project
certainly did. The young company jetted off to London to dance Ihsan
Rustemâs State of Matter at the 2012 Cultural Olympiad after
winning the 2012 Sadlerâs Wells Global Dance Competition with it. At its
âNew Now Wowâ program this fall, NWDP offers three contemporary-dance
world premieres, including Rustemâs elegant new work for sets of
partners, Mother Tongue, and one each from New York-based Gregory
Dolbashian and Brazilian dancemaker Alex Soares, winners of the
companyâs annual Pretty Creatives International Choreographic
Competition. Lincoln Hall, Portland State University, 1633 SW Park Ave., 725-3421. 7:30 pm Thursday-Saturday, Oct. 4-6. $32-$39.
Oregon Ballet Theatre
The Olympics also factor into Oregon Ballet Theatreâs season opener, Body Beautiful, a collaboration with the Portland Art Museum. While the museum boasts the U.S. premiere of The Body Beautiful in Ancient Greece,
a British Museum sculpture collection shown in London during this
summerâs Olympic Games, OBT offers a program celebrating the beauty of
the human form in motion. Apollo, Balanchineâs first
collaboration with Stravinksy, celebrates the god and his muses with
sculptural neoclassical movement; Kent Stowell takes on the tragic love
story of Orpheus and Eurydice with the pas de deux Orpheus Portrait, and
William Forsytheâs lean and rhythmic ensemble piece shows off dancers
for the physically gifted beings they are. Artistic Director Christopher
Stowell and artist John Grade collaborate on the final work, a world
premiere called Ekho. Keller Auditorium, 222 SW Clay St.,
248-4335. 7:30 pm Saturday, Oct. 13; 2 pm Sunday, Oct. 14; 7:30 pm
Friday-Saturday, Oct. 19-20. $25-$150.
Lane Hunter Dance
Shortly before Fox Searchlight releases the biopic Hitchcock, Portland dance-theater company Lane Hunter Dance revives its dance interpretation of Psycho,
based on Hitchockâs film and the Robert Bloch novel that inspired it.
Hunter and Laura Haney play Norman Bates and Mary Crane. Theyâll be
joined by Polaris dancers Krista Loveless and Mike Dawson and Broadway
dancer Brad Hampton in the piece, which blends dance and video in a
seasonally appropriate choreographic chiller. World Trade Center Auditorium, 121 SW Salmon St., 464-8688. 7:30 pm Wednesday-Saturday, Oct. 17-20. $25.
Film
Dangerous Desires: Film Noir Classics
The Prowler
The Blue Dahlia
Loophole
Les Miserables
NW
Film Centerâs Whitsell Auditorium, 1219 SW Park Ave., 221-1156. Sept.
14-30. Multiple showtimes. See nwfilm.org for a complete schedule.
Jackpot Records Film & Music Festival
Portland institution Jackpot Records
hosts its ninth annual film festival, this year featuring documentaries
on unsung heroes ranging from Southern California punk legends the
Circle Jerks to soulman Charles Bradley to gay icon Jobriath, once
referred to as âthe American Bowie.â Bagdad Theater, 3702 SE
Hawthorne Blvd., 236-9234. 8 pm Monday-Friday, Sept. 24-28. $5. See
jackpotfilmfest.wordpress.com for a complete schedule.
Books
Greg Palast
Fed up with our Monopoly-style
government where the ultra rich simply purchase the politicians and
policies that suit them, investigative journalist Greg Palast is
indicting the whole process with his new book, Billionaires & Ballot Bandits: How to Steal an Election in 9 Easy Steps.
Partnering with political cartoonist Ted Rall, Palast is going after
small-time abusers of voting laws and the Bond villains of democracy,
intending to âname and shameâ them all. The reading will also serve as a
fundraiser for community radio station KBOO. Clinton Street Theater, 2522 SE Clinton St., 238-5588. 7:30 pm Wednesday, Sept. 26. $35 (includes copy of book).
Themâs Fightinâ Words
Celebrating all things gritty and kinda
badassâlike strippers with black eyesâthe new reading series Themâs
Fightinâ Words, curated and hosted by local slam poet Johnny No Bueno,
brings together local authors and regular working stiffs to share their
writing. After kicking off the evening with an open mic, this monthâs
reading will host writer and artist Matty Byloos (Donât Smell the Floss) and Robert Lashley (Songs My City Taught Me). Donât show up wearing Izod. St. Johns Booksellers, 8622 N Lombard St., 283-0032. 7 pm Friday, Sept. 28. Free.
Cokie Roberts
Youâll no doubt recognize her soothingly
authoritative tone as the senior news analyst for National Public Radio.
Cokie Robertsâ extensive 40-plus-year journalism career has garnered
her the highest praise, including three Emmy awards and induction into
the Broadcasting and Cable Hall of Fame. Speaking as part of the Voices
lecture series, which hosts some of the most accomplished women of the
professional world, Roberts will speak about an insiderâs view of
Washington, D.C. Tickets for the simulcast (which includes the
reception) are still available. First Congregational Church, 1126 SW Park Ave., voicesinc.com. 7:30 pm Wednesday, Oct. 3. $39.
David Byrne with Carrie Brownstein
IMAGE: Catalina Kulczar
Barbara Kingsolver
Anyone who has ever read the devastatingly beautiful writing of Barbara Kingsolver (The Poisonwood Bible, Animal Dreams, The Lacuna)
understands the magic quality that words can acquire in the hands of a
true master. Hear the author herself in conversation with Portlandâs
Literary Arts Director Andrew Proctor as part of the organizationâs
lecture series. Tickets are only available with a subscription, but with
other upcoming guests including Jonathan Franzen and Stephen
Greenblatt, itâll be worth it. Arlene Schnitzer Concert Hall, 1037 SW Broadway, 248-4335. 7:30 pm Friday, Nov. 16. $75.
WWeek 2015