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The NW Film Center’s annual music-documentary fest expands across town this week. Here are two standouts: Search and Destroy: Iggy Pop and the Stooges’ Raw Power79 Could be the fact that I ...
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In Blue Valentine’s most iconic sequence, a love-struck Ryan Gosling positions Michelle Williams underneath a heart-shaped wreath outside a florist shop and croons the Mills Brothers’ &ldq ...
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Sofia Coppola’s celebrities: They’re just like us, but more depressed!
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Sometimes the drugs stop working. Sex doesn’t thrill. A sitcom laugh track grates more than usual because it refers to jokes that aren’t even half-funny anymore. The vague flicker of light ...
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From a distance, Sly Stone and Phil Ochs couldn’t have less in common. Stone was a flamboyant, excess-prone sex symbol who took the pop world by storm; Ochs was a smart, big-hearted kid from Ohi ...
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The great, the good and the meh of ESPN’s 30 For 30 documentary series.
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ESPN has broadcast a lot of schlock since taking the air in 1979. The network’s rise to cable juggernaut has meant sports devotees wasting uncounted hours (not me, of course) watching lumberjack ...
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Choosing the top 10 movies of 2010, our critics couldn’t unite on anything. Except maybe Valhalla Rising.
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Aaron Mesh’s Top 10The conventional wisdom says 2010 was a bad year for good movies, and the clever retort is it was a good year for movies that made us feel bad—but really, the year&rsquo ...
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As if the sight of Robert De Niro with a raging hard-on poking through his pajamas isn’t sad enough, the creators of Little Fockers have to go and make it worse. It’s not just that they fo ...
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If it is the task of the movie psychologist to tell his patient, à la Robin Williams, that distress is “not your fault”—and to convince us that, yes, that fellow’s probl ...
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True Grit is the Coen Brothers’ hymn to frontier loss.
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True Grit reminded me of Lolita, though not in that way. The Coen Brothers’ new rendering of Charles Portis’ novel of Arkansas frontier retribution is remarkable for its lack of perversity ...
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It takes time to get your bearings in a Claire Denis film. Her movies define themselves leisurely, like a landscape fading up from night to dawn to morning. White Material, the remarkable new movie by ...
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