Performance
John Waters is not a good filmmaker by any conventional
measure, but he is relentlessly original. His work cannot be mistaken
for that of another artist. So what happens when you take his most
succ
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A Whitman’s Sampler of new Northwest performances.
Performance
As unlikely as it sounds, Portlanders have many more
opportunities to see the world’s great contemporary performers than one
would normally expect in a city our size. Thanks largely to the efforts
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The once Eugene-centered Oregon Bach Festival ventures north.
Performance
The Oregon Bach Festival began as a small conducting
workshop at the University of Oregon, and has grown into one of
America’s premier classical music festivals, featuring major concerts
with mus
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Performance
Portland Center Stage, inexplicably determined that its
final show of the season pay tribute to a long-deceased blues belter of
dimming celebrity, decided mid-season to shelve the originally schedul
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Performance
Carol Triffle, the co-founder of Imago Theatre, possesses
the strangest sense of humor it has ever been my bemused pleasure to
encounter. While Triffle and Imago are best known for the
family-frien
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Performance
Hand2Mouth, the Portland performance ensemble headed by
director Jonathan Walters, is obsessed with memory. While its last
several performances have ostensibly been about greed, patriotism,
immigra
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Performance
The jammed-up Vietnam vet, as a character, achieved its
epitome in 1998 at the hands of the Coen brothers, but writers keep
going back to the Walter Sobchak well. Steven Dietz’s 2004 drama, in
wh
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Performance
On any given day, the Los Angeles County
jail system holds over 18,000 men and women in custody—160,000, all
told, in 2010. Seven or more men share cells built for four in buildings
so foul that,
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Performance
All done: With the premiere of Richard Kramer’s commissioned adaptation of The Cherry Orchard,
Chekhov’s classic about a family of penniless aristocrats who must sell
their useless orchard, Arti
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