Home · Articles · By RICHARD SPEER
 

The Phantom of the Opera (Portland Opera)

Lloyd Webber’s music of the night goes flat.


Performance
The iconic white mask is still there. So, too, the crystal chandelier that famously crashes at the end of the first act. And those histrionic, undeniably memorable tunes are all intact. But vete   More
 
Wednesday, May 20, 2015 RICHARD SPEER

Favorite Portland Art Shows, 2002-2015

Richard Speer’s 10 favorite shows from 2002 to 2015, in chronological order.


Visual Arts
Julia Fenton’s Devices and Desires (Mark Woolley Gallery, April 2003) Visually extravagant with pink feathers and over-the-top sculptures, this show was also deeply thoughtful in its critique of   More
 
Wednesday, April 1, 2015 RICHARD SPEER

It Used To Be Better

What went wrong in Portland’s visual arts scene, and what we can do to fix it.


Cover Story
Udders hang from the rafters. They’re fake, fashioned from rubber molds, but the long-haired calf grazing in the corner of the gallery is real, and it’s pissing on the hay covering the hardw   More
 
Wednesday, April 1, 2015 RICHARD SPEER

PNCA’s New Digs

Look closely for the schooner…


Visual Arts
First Thursday’s must-see destination for March was the brand-flippin’-new campus of Pacific Northwest College of Art, which crowns the North Park Blocks at 511 NW Broadway. Although the b   More
 
Wednesday, March 11, 2015 RICHARD SPEER

Carmen at Portland Opera: Review

Portland Opera puts on a cathartic, passionate, bravura production of Carmen.


Performance
Portland Opera’s impassioned take on Georges Bizet’s Carmen is the most electrifying production the company has staged since 2010’s sad-clown-fest, Pagliacci. Like that opera, Carmen centers   More
 
Wednesday, February 11, 2015 RICHARD SPEER

Jeremy Rotsztain, Electric Fields

Now in 3-D!


Visual Arts
With Microsoft’s new HoloLens upping the ante on virtual reality just as Google Glass sunsets, Portland artist Jeremy Rotsztain finds his exhibition, Electric Fields, at the crossroads of te   More
 
Wednesday, February 11, 2015 RICHARD SPEER

Diana Markosian, Inventing My Father

Traveling to Armenia to reconnect with an absentee father.


Visual Arts
Diana Markosian’s father would fit well in an Everclear song. During her childhood, he would vanish without explanation for months at a time, then return as if nothing had happened. His stor   More
 
Wednesday, January 14, 2015 RICHARD SPEER

The Best Visual Art Of 2014


Visual Arts
As winemakers say about extraordinary vintages, “It was a very good year.” 2014 gave us a mother lode of materially and thematically engaging visual-arts shows. Month to month, the most re   More
 
Wednesday, December 24, 2014 RICHARD SPEER

Art Review: Francine Fleischer, Swim

Off the beach, into the cenote.


Visual Arts
The landscape of Mexico, wrote D.H. Lawrence in The Plumed Serpent, “seems to emit a deep purring sound, too deep for the ear to hear, and yet audible on the blood.” Lawrence’s musings hin   More
 
Wednesday, December 10, 2014 RICHARD SPEER

Gregory Grenon, Truth Is a Lie and Anger Follows

Lust or critique?


Visual Arts
The sexually ambiguous relationship between portraitists and their subjects has generated no small measure of purple prose through the centuries. What was going on between Leonardo da Vinci and    More
 
Wednesday, November 19, 2014 RICHARD SPEER
 

Web Design for magazines

Close
Close
Close