In its fifth year, Fertile Ground showcases new, local work.
Performance
It’s a big year for the annual Fertile Ground festival.
The 11-day bender of locally produced new works of theater and dance
turns 5 this year, and once again the lineup overwhelms. The number o
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Performance
Devon, the central character in The Huntsmen,
is an awkward and fidgety teen, the vice president of his high school’s
glee club and the child of divorced parents—his father is a lawyer and
h
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A WW correspondent learns to keep her beer off the curling rink.
Featured Stories
The Evergreen Curling Club posts three rules by the rink.
First, shake hands. Second, if you win, clean the ice. And third,
winners buy the first round of drinks.
That
final rule pretty well e
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Portland’s proto-foodie dishes up less than a satisfying meal.
Performance
Opera music booms and steam spills out from beneath the giant onstage refrigerator as I Love to Eat begins.
As the song builds and steam obscures the floor, James Beard (Rob
Nagle) strides out of
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Performance
In 2001, Oregon City teenagers Miranda Gaddis and Ashley
Pond disappeared, and local playwright Susan Mach found herself
confronted with billboards of the girls’ faces. Both intrigued and
dist
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Headout
The first lesson I learn at Village Ballroom’s weekly
square dance is that punctuality matters: My friends and I arrive 20
minutes late, and we are immediately circled by gray-haired cowboy type
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Zero Dark Thirty dramatizes the search for Osama Bin Laden to chilling effect.
Movie Reviews & Stories
For all the talk about torture Zero Dark Thirty has
generated, you’d be forgiven for thinking director Kathryn Bigelow
spends 157 minutes
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In which an orca bites off Marion Cotillard’s legs.
Movie Reviews & Stories
Rust and Bone’s soundtrack
features Bon Iver, “Love Shack” by the B-52s, and Katy Perry’s
“Firework.” Such contrivances are rivaled only by the film’s implausible
premise: A driven
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As a disaster drama, The Impossible impresses. But its morals are swamped.
Movie Reviews & Stories
It’s always tricky to criticize a film for what it fails to depict rather than for what it actually captures. But in The Impossible,
the omission is so glaring that to disregard it would be to com
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Performance
The obligatory holiday productions have taken their final
curtain calls, and Portland theaters can return to what they do best:
distracting us from our city’s slobbery weather. The following
p
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