Three decades on, Joanna Priestley’s animation is as inventive as ever.
Movie Reviews & Stories
Joanna Priestley knows abstract animation can be
intimidating. That’s why the independent animator chuckles as she sits
before a sluggish Mac in her Northwest Portland studio and hits “play”
Movie Reviews & Stories
Early in Hayao Miyazaki’s latest—and
probably final—film, an earthquake strikes Tokyo. The earth buckles and
writhes, rippling like a belly dancer’s abdomen. It’s a remarkably
Ryan Townsley comes onto the stage swinging. The gangly
17-year-old, a junior at Clackamas High School, stomps his feet, winds
up an imaginary baseball bat and sways side to side as if readying fo
The setting is the epitome of pedagogical
order. Posters of Hindu deities line the walls, a giant bottle of hand
sanitizer sits sentry on the teacher’s desk, buckets of markers top the
The network still hasn't set a premiere date for the comedy.
Former Portlander Ron Funches might still be waiting for his NBC series to hit screens, but at least he gets to embark on a nine-city standup tour with his co-stars.
Funches joined the cast of Undateable nearly a year ago, about a group of romantically challenged men. Though NBC has yet to set a premiere date for the scripted comedy—never a good sign—Deadline HollywoodMore
Irish playwright Marie Jones frames A Night in November
with two soccer matches. The first is in Belfast in 1993, a World Cup
qualifier between the two Irelands—the Republic and its northern,
Growing slate of Portland comics scheduled to perform at this year's festival.
In six years, the Bridgetown Comedy Festival has boomed in size, and it's played a huge role in getting Portland on the standup map. This year, the fest is moving to May, when big-name national comedians and gobs of local comics will take over Hawthorne for four days.
Today, comics were told who's been accepted to the festival.
In Judaism, the Kaddish is most often
recited as a prayer for the dead. But occasionally, in cases of extreme
wrongdoing, it’s used to mark a Jew’s excommunication from the faith.
A review of Artists Rep's production of Amy Freed's world-premiere play.
Gregor Zubrowski, the megalomaniacal architect at the center of Amy Freed’s The Monster-Builder, is as slick a villain as can be: Clad in a trim black suit, he’s got a bald pate, severe goatee and round spectacles, and he delights in razing old buildings and erecting gleaming monstrosities in their place. All confident stride and rapacious gaze, he venerates Nietzsche and unleashes a ca...
We sit on hard benches under the
fluorescent lighting of a gym in North Portland’s Peninsula Park
Community Center, clad in violet jerseys bearing a mascot that seems to
be half-unicorn, half-