Baby LeStrange stands before the Rose City School of Burlesque class in hamburger-print leggings and boots with gold, spiked toes. She’s teaching facial expression, a skill she’s exhibited onstage before while More
Alison Roper begins Bolero with steely energy, surrounded as she was in 2008, when the piece premiered, by metal panels that gradually rise as Ravel’s snare drum-driven score increases in intensity. Within moments, Artur Sultanov bursts gallantly from stage right and rushes to her, completing the time warp to six years ago when the pair first danced the piece by Nicolo Fonte.
Forbidden names for new burlesque performers include Kitten, Kitty, Vixen and Honey, or anything with “Von” or “de Ville” or “Lux” or “Deluxe.” And, of course, Lolita. They’re overused, says Fannie Fuller, instructor at the Rose City School of Burlesque. “And when you start you want to be like, ‘This is me.’...
In 20 years of performing in Portland,
Luciana Proaño has never gotten significant media attention. She
acknowledges she could do more to promote herself, but by her nature—she
The crowd might not have been the biggest the Crystal Ballroom has ever had, but it certainly was the most vicious.
After waiting in freezing temperatures Wednesday night in a line that wrapped around the block, not a soul at the RuPaul’s Drag Race: Battle of the Seasons show would accommodate the girl with two vodka crans trying to squeeze her way to the stage. When my friend Nathalie...
At the end of the 10-week course at the Rose City School of Burlesque, the 16 students will perform a group number. That’s in addition to the non-mandatory solos that instructor Fannie Fuller says she’s “assuming” everyone will do.
But the group number for this class—made up of students of an assortment of sizes, ages ...
The shell of the former Rexel/Taylor Electric Supply building has become a graffiti-covered urban backdrop since someone set fire to the building in 2006. The four-alarm fire, fed by wire and other electrical components, all but destroyed the building, collapsing its ceiling and busting out its windows. Since then, taggers have covered the remaining walls with colorful and often elaborate graffiti...
It’s 30 minutes before my second class at the Rose City School of Burlesque, and I’m pacing the aisles of the Lloyd Center “Cross Dress for Less” (as it’s called in drag circles), in search of some heels.
Instructors told students on the first day of class to bring a pair, and though common sense told me this isn't man...
The second weekend of Lindsey Matheis’ (a)merging compilation show is a lot prettier than the first. While the first weekend leaned more experimental—with such ornaments as rave rings and frying eggs—the second is largely straightforward, pleasan...
Australian Phillip Adams created his signature piece Amplification after visiting a morgue in Melbourne. Two body bags from that morgue were onstage again last night in Portland, for the opening night of a three-night run presented by White Bird.
The piece, created in 1998, is a great exam...