Arts & Books
Right from the start, when Elijah Labay walks onto the floor wearing nothing but red velvet dance shorts and socks, you know Northwest Dance Project’s In Good Company
isn’t going to be overly serious. The normally stoic Labay, whose portrayals often tend toward pain or distress, now alternates between deadpan stillness and a goofy, Dick Van Dyke smile. In short bursts, he snaps, twists ...