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Semester in Sequins #6: Red Wedding Dress

A former opera singer strips down.

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Baby LeStrange stands before the Rose City School of Burlesque class in hamburger-print leggings and boots with gold, spiked toes. She’s teaching facial expression, a skill she’s exhibited onstage before while    More
 
Tuesday, February 25, 2014 by AARON SPENCER

Live Review: Oregon Ballet Theatre, Reveal

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Alison Roper begins Bolero with steely energy, surrounded as she was in 2008, when the piece premiered, by metal panels that gradually rise as Ravel’s snare drum-driven score increases in intensity. Within moments, Artur Sultanov bursts gallantly from stage right and rushes to her, completing the time warp to six years ago when the pair first danced the piece by Nicolo Fonte.
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Sunday, February 23, 2014 by AARON SPENCER

Semester in Sequins #5: The Burlesque Name

The burlesque neophytes christen themselves.

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Forbidden names for new burlesque performers include Kitten, Kitty, Vixen and Honey, or anything with “Von” or “de Ville” or “Lux” or “Deluxe.” And, of course, Lolita. They’re overused, says Fannie Fuller, instructor at the Rose City School of Burlesque. “And when you start you want to be like, ‘This is me.’...   More
 
Tuesday, February 18, 2014 by AARON SPENCER

Luciana Proaño

From Peru to Portland, with poetry and hammocks.


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In 20 years of performing in Portland, Luciana Proaño has never gotten significant media attention. She acknowledges she could do more to promote herself, but by her nature—she improvises all   More
 
Wednesday, February 12, 2014 AARON SPENCER

Live Review: RuPaul's Drag Race: Battle of the Seasons

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The crowd might not have been the biggest the Crystal Ballroom has ever had, but it certainly was the most vicious.
After waiting in freezing temperatures Wednesday night in a line that wrapped around the block, not a soul at the RuPaul’s Drag Race: Battle of the Seasons show would accommodate the girl with two vodka crans trying to squeeze her way to the stage. When my friend Nathalie...   More
 
Thursday, February 6, 2014 by AARON SPENCER

Semester in Sequins #4: Mod Squad

One and one and one is three.

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At the end of the 10-week course at the Rose City School of Burlesque, the 16 students will perform a group number. That’s in addition to the non-mandatory solos that instructor Fannie Fuller says she’s “assuming” everyone will do.
But the group number for this class—made up of students of an assortment of sizes, ages ...   More
 
Tuesday, February 4, 2014 by AARON SPENCER

Live Review: Ragnarok (Heidi Duckler Dance Theatre)

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The shell of the former Rexel/Taylor Electric Supply building has become a graffiti-covered urban backdrop since someone set fire to the building in 2006. The four-alarm fire, fed by wire and other electrical components, all but destroyed the building, collapsing its ceiling and busting out its windows. Since then, taggers have covered the remaining walls with colorful and often elaborate graffiti...   More
 
Saturday, February 1, 2014 by AARON SPENCER

Semester in Sequins #3: My First Pair of Heels

Do shoes make the man?

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It’s 30 minutes before my second class at the Rose City School of Burlesque, and I’m pacing the aisles of the Lloyd Center “Cross Dress for Less” (as it’s called in drag circles), in search of some heels.
Instructors told students on the first day of class to bring a pair, and though common sense told me this isn't man...   More
 
Tuesday, January 28, 2014 by AARON SPENCER

Live Review: (a)merging (Program Nox)

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The second weekend of Lindsey Matheis’ (a)merging compilation show is a lot prettier than the first. While the first weekend leaned more experimental—with such ornaments as rave rings and frying eggs—the second is largely straightforward, pleasan...   More
 
Saturday, January 25, 2014 by AARON SPENCER

Live Review: Phillip Adams BalletLab, Amplification

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Australian Phillip Adams created his signature piece Amplification after visiting a morgue in Melbourne. Two body bags from that morgue were onstage again last night in Portland, for the opening night of a three-night run presented by White Bird.
The piece, created in 1998, is a great exam...   More
 
Friday, January 24, 2014 by AARON SPENCER
 

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