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Album Review: Ages and Ages

Divisionary (Partisan)


Album Reviews
[CHORAL POP] On the surface, Ages and Ages’ sophomore release, Divisionary, might appear to shine with as much bright optimism as the band’s debut album, 2011’s Alright You Restless. Bringing    More
 
Wednesday, February 26, 2014 KAITIE TODD

Just Opened: Bo-Nita

A review of Elizabeth Heffron's one-woman show, starring Kate Eastwood Norris.

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“You’ve got to find your own personal beat,” says Bo-Nita, the titular teenager of Portland Center Stage’s one-woman production. It’s a sentiment, however familiar, that the show never abandons. Written by Seattle playwright Elizabeth Heffron and directed by Gretchen Corbett, Bo-Nita follows the spunky 13-year-old and her mother, Mona, as th...   More
 
Monday, February 17, 2014 by KAITIE TODD

Show Preview: Lucius, You Won’t


Music Stories
[RETRO POP] Haim wasn’t the only group to get attention for its retro-pop sound last year. Lucius, a quintet from Brooklyn, turned heads with its debut LP, Wildewoman, crafting 1960s-inspired tune   More
 
Wednesday, February 12, 2014 KAITIE TODD

Fertile Ground Diaries: The Past is Calling

past is calling

“Tonight’s performance is kind of a hybrid between a workshop and a full-blown performance,” said Dennis Nyback, writer, producer and director of The Past is Calling, on Saturday night. Referencing the 1920s setting and disclosing that most of the actors would still be reading off of scripts, Nyberg finished his introduction to this    More
 
Sunday, January 26, 2014 by KAITIE TODD

Fertile Ground Diaries: SubRosa Dance Collective, Heirloom

subrosa dance heirloom fertile ground tia zapp, kailee mcmurran, jessica evans, carlyn hudson, lena traenkenschuh, zahra banzi design by goats

Friday night at the Clinton Street Theater began with a flurry of distorted bagpipes, a screen projecting images of dripping fruit and Turquoise Jeep’s famous question: Do you like your eggs fried or fertilized?
So began SubRosa Dance Collective’s first piece, Matriarch, in a new show titled Heirloom, that's debuting as...   More
 
Saturday, January 25, 2014 by KAITIE TODD

Just Opened: Enjoy

A review of CoHo's production of Toshiki Okada's play.

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So, like…real life is hard, you know? One second you’re a college graduate, working part-time at a comic-book cafe, and the next you’re turning 30, still at the same cafe, living with your parents and suffering from depression due to all the unspoken pressures of society. At least, that’s the reality for the characters in CoHo Productions’ Enjoy, written by Japanese playwright Tos...   More
 
Tuesday, January 21, 2014 by KAITIE TODD

Just Opened: Shackleton's Antarctic Nightmare

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Frostbite, thin ice, backbreaking work and dead puppies are all things you might expect from a story called Shackleton’s Antarctic Nightmare. A few things you might not expect: a love story between a man and his cat, molting reindeer-hair sleeping bags and incredibly dumb, sledding-down-a-mountain-on-90-feet-of-coiled-rope luck.
Portland Story Theatre’s reprisal of Shackleton’s ...   More
 
Monday, January 13, 2014 by KAITIE TODD

The Best Thing I Heard This Year: Portland Edition

WW’s music staff picks its favorite local albums of 2013.


Music Stories
Blitzen Trapper, VII A consistently suggestive blend of robust alt-country and catchy guitar-picking from Portland’s resident kings of genre-roving Americana. (GS) Epp, Chrome Plated Chronicle   More
 
Tuesday, December 24, 2013 NATHAN CARSON, PETE COTTELL, JAY HORTON, REED JACKSON, CAT JONES, MITCH LILLIE, GEOFF NUDELMAN, MATTHEW SINGER, GRACE STAINBACK, MARK STOCK, KAITIE TODD, BRANDON WIDDER

Album Review: Bombs Into You

Shake (Self-Released)


Album Reviews
[HOUSE-PARTY ELECTRO-POP] Some music just sounds like it’s meant to be played in a basement. On its previous EPs, Portland three-piece Bombs Into You created grungy, electronic house-party mus   More
 
Wednesday, December 18, 2013 KAITIE TODD

Theater Review: The Lion in Winter

We’ll never be royals.


Theater
Northwest Classical Theatre’s production of The Lion in Winter might as well be called Game of Thrones: Christmas Edition. Director Elizabeth Huffman has given James Goldman’s play modern scen   More
 
Wednesday, December 11, 2013 KAITIE TODD
 

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