Who: Benjamin Caragol (guitars, vocals), Adam Wheeler (bass, vocals), Isaac Davis (drums), Fester (guitars).
Sounds like: A battle between marauding Viking ships and deadly sea serpents that just w
[DOOM METAL] On its self-released debut, Usnea offered a
psychedelic nightmare of twisted riffage and effects abuse that set the
band a comfortable parsec apart from the Portland metal pack. Sop
I hate to break it to you, but country music failed us.
Once the genre of choice for outlaws and simple folks with big dreams,
it’s become a streamlined industry of tepid tunes and
Talking with the "Satanic prince of standup," who hits Portland for back-to-back shows tonight.
Comedian Anthony Jeselnik has been called the "Satanic prince of standup.” His deadpan sense of charm underscores his morbidity, and he has a knack for twisting normal situations into sickening epiphanies in a nonchalant manner. Jeselnik got his break writing for Jimmy Fallon, but he’s perhaps best known for his roasts of Roseanne Ba...
A producer from New York’s cutting edge leaves the studio.
In the early ’80s, New York was a magical place. The disco
scene spilled out across the city from Studio 54, and musical styles as
disparate as No Wave and hip-hop mingled and matured in tande
Approaching the Schnitz on Saturday evening made it clear that Nick Cave’s return to Portland was nothing short of a goth holiday. It was date night in black, and anyone who was turned away from his sold out Crystal Ballroom show in 2008 had made damn sure not to make the same mistake.Mark Lanegan ...
[LUXURY ROCK] At age 68, Bryan Ferry remains a
study in contrasts. He made his name as the coke-addled, space-alien
frontman of English glam titans Roxy Music, but outside of that
Liverpool’s Carcass was one of the first purveyors of a particularly brutal subgenre of metal called grindcore. In fact, founding guitarist Bill Steer replaced Justin Broadrick (Godflesh) in Napalm Death, and recorded one side of the seminal Scum album in 1987. Soon after, Steer teamed up with bassist Jeff Walker and drum...
Not many 19th-century Italian operas feature a chorus of
men pointing rifles at the audience in the first five minutes. But
Donizetti’s enduring masterpiece Lucia di Lammermoor pulls