A producer from New York’s cutting edge leaves the studio.
In the early ’80s, New York was a magical place. The disco
scene spilled out across the city from Studio 54, and musical styles as
disparate as No Wave and hip-hop mingled and matured in tande
Approaching the Schnitz on Saturday evening made it clear that Nick Cave’s return to Portland was nothing short of a goth holiday. It was date night in black, and anyone who was turned away from his sold out Crystal Ballroom show in 2008 had made damn sure not to make the same mistake.Mark Lanegan ...
[LUXURY ROCK] At age 68, Bryan Ferry remains a
study in contrasts. He made his name as the coke-addled, space-alien
frontman of English glam titans Roxy Music, but outside of that
Liverpool’s Carcass was one of the first purveyors of a particularly brutal subgenre of metal called grindcore. In fact, founding guitarist Bill Steer replaced Justin Broadrick (Godflesh) in Napalm Death, and recorded one side of the seminal Scum album in 1987. Soon after, Steer teamed up with bassist Jeff Walker and drum...
Not many 19th-century Italian operas feature a chorus of
men pointing rifles at the audience in the first five minutes. But
Donizetti’s enduring masterpiece Lucia di Lammermoor pulls
[SPACE DIRGE] The Main Sequence feels like a
comeback album for Dirtclodfight. No matter that the band, which
originally formed in Portland in the late ’80s, actually reunited back
in 2004. Te
Portland is finally a metal hotbed. Here are the heavy hitters stoking the flames in 2014.
Once the capital of cardigans and the bastion of
birth-control glasses, Portland is now a metal mecca. Last year was the
biggest yet for loud and heavy local exports: Gateway metal band Red
WW’s music staff picks its favorite local albums of 2013.
Blitzen Trapper, VII
A consistently suggestive blend of robust
alt-country and catchy guitar-picking from Portland’s resident kings of
genre-roving Americana. (GS)
Epp, Chrome Plated Chronicle
I heard a number of folks griping about how “poorly advertised” this Mazzy Star show was. Yet on a rainy Sunday night, the Crystal Ballroom was sold out, with a capacity crowd of 960 women and 40 guys huddling for warmth, and a chance to hear “Fade Into You” performed live. Mariee Sioux kicked things off, her voice and guitar accompanied by a drummer who used his mallets spars...