The Peeves: real estate, micro-homes, landlords, home renovation, financial ignorance, S&M
Put a Cap on It: Enough artificeâthe twee shops, the stupid hobbies, the pet causes. This episode satirizes the stuff that actually makes a city: real estate.
The show opens with Fred and Carrie in an advertisement for one of those tiny, trendy homes. Fred and Carrieâs characters in it have everything: a combination bathroom-home office, a TV over the bathtub and quarters so close that they can feel each other breathe.
Hometown talent Kristine Levine and her partner see the ad and decide that they want one like itââWe could live like thatâweâre free spirits!â says Levine. But first, they have to sell their house on Oak. The only person that comes is a guy that just likes looking at houses with no intention of buying, so they hire a real estate agent (Anna Gunn), who then hires home showers, who clear out their butt plug collection, sex swing and stuffed animals, and replace them with yuppie trappings like a chair upholstered to look like newsprint.
Meanwhile, after a fight with his girlfriend, Fred and Carrieâs landlord, Milton (Steve Buscemi) moves back into their house. They try asserting their tenantsâ rightsâwith respective net worths estimated at $5 and $7 million, itâs probably the first time Carrie and Fred have thought about them in a whileâbut Milton (Mr. Buscemiâs worth a cool $35 mill) isnât going anywhere, so they begin looking to buy a house.
But Kath and Dave, Carrie and Fredâs tight-ass characters, have run out of stuff to remodel in their house, so theyâre on the hunt for a fixer-upper, too. The âfixer-upperâ that they first find is a crack house, where that means something way different to people with burning shopping carts in their front yards, so they keep looking. All the storylines connect at Kristineâs open house. The real estate agent pick Fred and Carrie to get the houseâthey wrote a really nice letter. But escrow is really confusing, so they back out, and Dave and Kath get it
Best Bits: The Looky Lou is pretty funny. âYou think I can do an Air B ânâ B here?â he asks. Before Kristine can respond, he asks âWhat is an Air B ânâ B?â
But props have to go to Ms. Levine herself. Her part feels more substantial than it has been in her past appearances. She puts it to good use, telling the realtor âIâd love to see you with my husbandâ and choosing who to sell to by spinning around in a circle with the same trademark charm.
Duds: Thereâs actually nothing in this episode that feels like it was written to fill time. The thing thatâs weird about it is what it didnât include. This is an episode about real estateâPortland real estateâthat doesnât use the word âgentrification.â No matter where you fall on the scale from âlivable, walkable cityâ to âIâm gonna burn your fucking condo to the ground,â itâs a thing that peopleâparticularly people in Portlandâtalk about. And the conversation around gentrification has so much to do with privilege, righteous indignation and hypocrisyâthe exact stuff Portlandia satirizes. This shouldâve been a layup.
Deep Cuts: None of the addresses that they show on screen are real, but weâve already established that they donât use those. What is real, however, is the tiny house community that Fred and Carrie live in at the beginning of the showâwell, itâs a hotel. Itâs called Caravan,and itâs in Alberta.
Grade: B. This episode is one of the better-written ones of the season. Its about a very Portlandia subject. None of the sketches go on for too long, and they all tie together neatly at the end.
But, at the same time, thereâs less of the riotously funny stuff of earlier episodes this seasonâthe goths planning their funeral, the male feminist burning his partnerâs bras, the shocking art supply store. Thatâs the thing about keeping things consistent: it means keeping your highs close to your lows.
WWeek 2015